The 25 Best Dramas Streaming on Netflix – April 2019

Before Children of Men and Gravity, before Harry Potter and the Prisoner of Azkaban and this year’s Roma, there was Y Tu Mama Tambien, the fourth film by Mexican director Alfonso Cuaron and his breakout project. The film follows Julio and Tenoch, two 17-year-old boys who find themselves beginning to flourish into adulthood. The two best friends spend their summer vacation heading out on a cross-country trip with each other, alongside an older woman whom they meet on the trip. Without the boys’ girlfriends around, the two live their lives as bachelors. Filled with sex, drug use, and plenty of joy in the road trip portion of the film, it’s the perfect time to catch up with Cuaron’s work prior to watching recent Oscar-winner Roma on Netflix.

Blue is the Warmest Color tells the story of Adèle, an introverted, quiet French teenager who is unsatisfied with her life. She feels disappointed by her current relationship with Thomas, and upon passing by a woman with short blue hair on the street, feels an immediate sense of attraction. Troubled by her sense of sexual identity, her openly-gay friend Valentin takes her to a gay bar. At a lesbian bar the same night, Adèle meets Emma, the girl from the street with the short blue hair, an aspiring artist and grad student. The two slowly become friends and, eventually, lovers, and the film begins to track their relationship as Adèle grows from a girl into a woman. At three hours and with an NC-17 rating, the film isn’t an easy watch, but Blue is the Warmest Color is one of the best romance films of the past decade, and is absolutely worth watching in its entirety.

One of the best films of 2013 arrived on Netflix in late July, and it’s well worth checking out. Her is the fourth film from acclaimed filmmaker/occasional Jackass star Spike Jonze, following his two collaborations with Charlie Kaufman (Being John Malkovich and Adaptation) and his adaptation of Where the Wild Things Are in 2009. The film is set in a near-future Los Angeles and follows Theodore Twombly (Joaquin Phoenix), a lonely introvert who is going through a divorce with his childhood sweetheart (Rooney Mara). Unhappy with his life, Twombly purchases a smart operating system upgrade for his computer, designed with artificial intelligence and able to adapt and evolve. Deciding to give her a female voice, the operating system nicknames itself Samantha, and Theodore begins bonding with her. The film follows Theodore as he develops a relationship with his AI, and as he learns to grow and adapt as a person himself.

A recent Netflix Original film, Mudbound tells the story of two World War II veterans living in rural Mississippi following the conclusion of the war. The film begins when Henry McAllen (Jason Clarke) and his wife Laura (Carey Mulligan) purchase a farm alongside Henry’s brother Jamie and their father, Pappy (Jonathan Banks, Breaking Bad and Better Call Saul). The Jackson family, led by Ronsel Jackson (Jason Mitchell) works the farm for the McAllens, until Ronsel and Jamie are pulled away to fight in the war. Upon returning, Jamie deals with PTSD and alcoholism, while Ronsel deals with readjusting to southern racism following his life in Europe. As Ronsel and Jamie begin to strike up a friendship, despite the objections of Pappy, the struggle to readjust to American life threatens to break apart both families. Mudbound is the first Netflix film nominated at the Academy Awards, up for eight awards at the 2018 Oscars.

Based on three short stories by Maile Meloy’s collections of writing, Certain Women is Kelly Reichardt’s 2016 drama, following her 2013 film Night Moves. The film, which was critically acclaimed for both its direction and its acting, stars Kristen Stewart, Laura Dern, and Michelle Williams as three strong-willed women living in the plains of the American Northwest, each dealing with her own personal setbacks and frustrations. Kristen Stewart portrays Beth Travis, a young law student who forms a bond with a ranch hand; Laura Dern plays a lawyer who finds herself dealing with office sexism and a toxic client; and Michelle Williams plays a wife and mother who finds her determination to build her dream home places her between a rock and a hard place with her husband.

The second of two Noah Baumbach films on this list, Frances Ha won’t please every reader of this list. The film has been criticized as aimless, but for those it connects with, Frances Ha represents a modernization of the principles and ideas first shown in films from the French New Wave era of the 1960s. From the black and white film aesthetic to the impromptu trip to Paris halfway through the film, the inspiration from titles like Breathless and The 400 Blows is all over this title, co-written by director Baumbach and star Greta Gerwig (who later brought her wit and talent for writing to 2017’s critically acclaimed Lady Bird). It won’t be everyone’s cup of tea, but the films topped several year-end lists and found critical acclaim with the film community. Baumbach’s films are generally fairly bleak, and it makes for a great mixture with Gerwig’s brightness and sense of joy found within dark.

Considered an achievement in filmmaking and nominated for six Academy Awards in 2015, Boyhood tells the story of Mason Evans Jr., from 2002 to 2013, as he grows from a six-year-old boy to a young adult headed to college, following each year in his life over its nearly-three hour runtime. Director Richard Linklater (School of Rock, the aforementioned Before Midnight) is no secret to playing with time, as he did with the Before trilogy, and Boyhood follows a similar premise. The film shot each year from 2002 to 2013, essentially being written as the crew and cast grew up around the film. The child actor cast as Mason, Ellar Coltrane, was seven when the film began shooting, and was 19 when the film wrapped in 2013.  Also starring in the film: Before‘s Ethan Hawke as Mason’s father, and Patricia Arquette as his mother, who won an Oscar for her performance.

Directed by Francis Lee in his feature debut, God’s Own Country is a haunting tale of love and loss in the English countryside. The film follows Johnny Saxby (Josh O’Connor), a young man who lives on his family farm with his father Martin, and his grandmother Deidre. Johnny takes care of most of the farm by himself, his father unable to assist after experiencing a stroke and his grandmother aged out of the farm life. Johnny’s life is a mess, drinking heavily and having sexual encounters with men in his spare time. When Johnny’s actions result in the loss of a calf, Martin hires help in the form of Gheorghe (Alec Secăreanu), a Romanian farm hand who is initially treated harshly by Johnny. When Johnny refers to Gheorghe by a slur, the two men find themselves in a fight that quickly turns sexual. With the nature of their relationship, Johnny must learn quickly who he is, less he face the consequences of a broken heart. The film was critically-acclaimed upon its release last year.

The film that helped to escalate the careers of both Matt Damon and Ben Affleck, Good Will Hunting is one of the quintessential films of the 1990s. Directed by Gus Van Zant (Drugstore Cowboy, My Own Private Idaho), the film follows Will Hunting (Matt Damon), a young man with a genius-level IQ who works as a janitor at MIT. One afternoon, while solving a difficult math problem designed for graduate students, he’s discovered by Gerald Lambeau (Stellan Skarsgard), a professor who helps to bail Will out of jail after he’s arrested for attacking a Boston police officer. With the police department’s permission, Lambeau makes a deal to score him a lesser sentence, albeit under the condition he seeks help from therapist Sean Maguire (Robin Williams).

Michel Gondry’s second feature-length film also happens to be his best, as he paired with screenwriter Charlie Kaufman to produce one of the best films of the 2000s. The film is, at once, a romantic comedy, a heartbreaking drama, and a science-fiction tale that features heavy doses of the dream logic Kaufman has become known for throughout his career of crafting films like Being John Malkovichor Synecdoche, New York. The film follows Joel (Jim Carrey, in a career-best performance), who meets Clementine (Kate Winslet) on a train from Montauk to Rockville Center. The two quickly become connected to each other, and the truth slowly unveils itself: the two are former lovers, having both used a controversial procedure to forget each other after a fight days earlier. The film follows Joel forgetting Clementine through this procedure, as she’s erased from his life altogether.

Though certainly not one of the Coen Brothers most-accessible films, A Serious Man is often lauded for its balance of black comedy and razor-sharp wit. The film stars well-known actor Michael Stuhlbarg as a Minnesota Jewish man whose life begins to crumble both professionally and personally, as his wife asks for a divorce and he faces a vote on his tenure at a local university, leading him to question his faith and his religion. The film is bleak, dry, and in some cases, absolutely absurd—all comments meant as compliments. This is an odd film that won’t please everyone, but the Coen Brother completionists, it’s a must-see film.

This 2008 biographical film follows Harvey Milk, who was a major gay rights activist in California and the first openly gay person ever elected to hold office in that state. Directed by Gus Van Sant (director of Good Will Huntingand Finding Forrester), and written by Dustin Lance Black (J. Edgar), the film tells the story of Milk throughout the 70s until his death in 1978. The fil;m has been critically lauded as a return to form for Sant, and both Sean Penn’s portrayal of Harvey Milk and the script by Black went onto win Oscars in 2009. The film co-stars Josh Brolin, Emile Hirsch, James Franco, Alison Pill, and Rogue One‘s Diego Luna, and is absolutely worth watching for its riveting, surprisingly sensitive look at this man and his political and real-world opponents.

A brand-new Netflix original film and a recent Oscar winner for Best Director, Best Cinematography, and Best Foreign Language Film, Roma is Alfonso Cuaron’s first film since his 2013 acclaimed film Gravity. A semi-autobiographical film and Cuaron’s first Spanish-language film since Y Tu Mamá También in 2001, Roma follows the life of a live-in housekeeper to a middle-class family in 1970s Mexico City. With a cast of mostly-unknown and up and coming actors, Cuaron uses his experience as an acclaimed filmmaker to make his most personal film to date. The title comes from the Colonia Roma neighborhood of Mexico City where the film is set, and the film follows Cleo, a domestic worker for the family of Antonia and Sofia. When Cleo learns she’s pregnant and Antonio leaves the family, the two women left behind by the men in their lives will bond to care for each other.