The Best Movies on Netflix Nobody Knows About – Winter 2019
Have you ever found yourself in a Netflix loop? You log onto the site, on your laptop or your television or even on your phone, to try to find a movie to watch at night, but Netflix keeps serving up the same content to you again and again. You’ve tried that, watched this, didn’t care for the other—all of the movies on your recommended list are old news, and you’re not sure what you should try next. Maybe all of this work even makes you give up on the hunt for a movie to watch, falling back on your old favorites instead of trying out new movies or shows.
One reason you might be struggling to find new movies to watch comes down to a shift in Netflix’s priorities. Loading up the main display on Netflix presents you with a whole list of content to choose from, some new and some not, but almost all of the featured content in 2019 will have a single thing in common: they all feature the Netflix logo on top of the poster. Netflix’s move into original programming started just five years ago, but it has since moved from a supplementary experiment into something far more substantial: Netflix’s future. Unfortunately, that can lead the company to often bury movies and other non-original content that might interest their subscribers. Worse, even some of their original shows and movies have been released in the past without fanfare.
So, we’re here to help. We’ve scoured the wilderness that makes up the Netflix library to try to find some of the best movies you haven’t seen yet. Whether it’s a cult-hit classic from a decade ago or a movie released by Netflix that you might have missed, we think we’ve found some of the best-kept secret titles on Netflix today. So, the next time you’re stuck in the dreaded Netflix loop, don’t run back to The Office or Gilmore Girls—just refer back to this list. These are the best movies on Netflix that you don’t know about.
Roxanne Roxanne tells the story of Roxanne Shanté, a rapper who grew up in Queens and began rapping in 1979 at the age of nine. Five years later, after changing her name from Lolita to Roxanne, has become a member of the Juice Crew and is working to forward her rap career. Learning that rap trio U.T.F.O. had recently recorded a hit with their B-side “Roxanne, Roxanne,” a song detailing a girl named Roxanne who won’t return their advances, Shanté records a response from the point of view of the song. Titled “Roxanne’s Revenge,” Shanté immediately becomes one of the first female MCs to find fame. As she learns to navigate the 1980s rap scene, Roxanne must also struggle to balance the feeling of the weight of the world on her shoulders, providing for her family while also defending herself from the dangers of the streets in the projects.
Often praised as one of the best science-fiction character studies of the past decade, 2009’s Moon was directed by Duncan Jones (Source Code, Warcraft), son of David Bowie. Moon stars Sam Rockwell as Sam Bell, a worker for Lunar Industries who resides alone in a lunar-based factory. Though the factory is almost entirely automated, Sam resides as a single human to ensure operations maintain at their standard pace. Two weeks before the end of his three-year contract, Sam falls unconscious after an accident involving his lunar rover. When Sam awakes, he has no memories of the crash, but overhearing the computer AI GERTY (Kevin Spacey) receive instructions to not let Sam out of the base, he fakes an accident and arrives at the scene of the lunar crash, only to find his doppelganger still unconscious. Together, the two Sams must figure out what this means for both of their lives, and resolve the truth behind their existence. Moon was followed by a spiritual successor in Mute, a 2018 film directed by Jones and released on Netflix.
Nominated for Best Foreign Language film at the 88th Oscars in 2016, Mustang is a Turkish film that follows the lives of five orphaned sisters as they grow up in a remote Turkish village governed by conservatism. The film begins when the five sisters stop at the beach on the way home from school, playing in the water with the classmates. One game, known well as “chicken” or “chicken fight,” involves teams of two where one player sits on top of the other’s shoulders in the water and attempts to knock the other team down. When the girls’ grandmother and uncle learn they sat on the boys’ shoulders in the game, the five girls are scolding for their bodily contact with the boys and banned from leaving the house again, even for school. As the girls’ family begins to prepare arranged marriages for the girls, the five attempt to live their lives and escape the tyranny of their extended relatives.
The directorial debut from writer Taylor Sheridan, the concluding chapter in his frontier trilogy that included films Sicario and Hell or High Water, three stories unconnected to each other but with similar themes about rural America. Wind River stars Jeremy Renner and Elizabeth Olsen as a US Fish and Wildlife Reserve officer and an FBI agent, respectively, whose paths cross on the Wind River Indian Reservation in Wyoming following the discovery of a body and questions surrounding whether it was a homicide. When the autopsy reveals the woman found dead was also raped, Jane Banner (Olsen) arrives to investigate, teaming with Officer Lambert (Renner) to find the culprit. Quickly, the two realize they may be in over their head while trying to solve the mystery of the woman’s death.
You need to be prepared to handle some graphic content with Raw, a 2016 critically-acclaimed French-Belgian horror film that garnered controversy from some critics for its unrelenting visceral gore. The film follows Justine, a lifelong vegetarian who is just beginning her first semester at veterinarian school as a legacy student. When brought to a hazing ceremony for new students, Justine feels uncomfortable until running into her older sister Alexia, another student at the school, who shows her photos of students—including her parents—covered in blood. As the hazing continues, Justine begins to experience cravings for meat after being forced to devour a rabbit kidney. Those cravings begin to push Justine further into grotesque experiments that will churn your stomach and leave you haunted for nights.
From the writer and director of horror-comedy cult-classic Tucker and Dale vs Evil comes this 2017 Netflix Original that premiered without much fanfare on the service. Little Evil stars Parks and Recreation‘s Adam Scott as Gary Bloom, who falls for Evangeline Lilly’s Samantha. They get married, and Gary becomes the stepfather of Lucas, Samantha’s five year old son. Something is a bit odd about Lucas, however; Gary has difficulty finding any sort of relationship with his new stepson, and becomes concerned when Lucas’ teacher violently dies after an interaction with him. Concerned that Lucas may have some evil within him, Gary goes about trying to find the cause for Lucas’ erratic behavior, and in the process, accidentally discovers a Satanic cult that may have a connection to his new stepson.
The first Netflix Original film to win an Oscar, Icarus is directed by filmmaker Bryan Fogel, following the director as he explores the option to compete in a cycling race while doping. While researching illegal doping, he becomes friends with the Russian doctor that is helping him take performance-enhancing drugs that will prevent him from being caught using them. The doctor, Dr. Rodchenkov, eventually grows to trust Fogel enough to let it slip that Russia is planning on using a state-sponsored Olympic doping program that will allow their athletes to compete at higher levels than other nations. When word slips out to the public about the program, Fogel realizes his friend is in danger, leading to Rodchenkov giving a testimony in the United States once he is flown outside of Russia. The film is thrilling and eye-opening at the world of doping, and is great for fans of documentaries and political thrillers alike.
Train to Busan may be unfamiliar to most Americans, but if you’re willing to dive into the world of South Korean films, this action-horror thriller is a great introduction. The film follows the passengers in a bullet train headed from Gwangmyeong Station to Busan in South Korea, with passengers including Seok-woo, a divorced fund manager taking his daughter to her mother’s house; a working-class man and his pregnant wife; a high school baseball team; and a homeless man suffering from PTSD. When the train departs, a convulsing young woman jumps on board suffering from a bite wound on her leg, and quickly becomes a zombie, transferring her virus to others on the train. The passengers will have to fight their way to safety to make it to Busan—but who will they lose along the way?
Directed by Norwegian filmmaker Roar Uthaug, The Wave is a 2015 disaster film that follows a future catastrophic weather-based event, an avalanche that causes an 250 foot tsunami to form off the coast near Møre og Romsdal. With the wave racing towards the country, everything in its path will be destroyed. The main plot follows a geologist named Kristian Eikjord and his family, as he has finished his final day on duty in Geiranger and is scheduled to move and relocate with his family to Stavanger. Despite the warnings of Christian to his superior officers, an alert is not issued to the civilians of the surrounding area until the avalanche has already occurred, creating the tsunami and threatening the lives of everyone in its path. With the wave inevitably about to hit the coast, all Kristian can do is attempt to rally his family together and survive.
This Netflix Original documentary follows Gloria Allred, an attorney known for her cases fighting for women’s rights and for taking on high-profile cases that often see her in the press. Her legal career is one for the ages, spreading across four decades that rose in publicity when she began fighting for abortion rights in the early 1980s. Since then, Allred has represented numerous clients in lawsuits against celebrities for all sorts of outrageous behavior, and this doc happens to follow two of her most high-profile cases yet—Bill Cosby and Donald Trump. The documentary, which premiered earlier this year at Sundance to rave reviews, also follows Gloria as she talks, albeit reluctantly, about aspects of her own personal life, including becoming pregnant with her daughter at 19. Allred has lived an incredible life and has used her power as a lawyer to fight for hundreds of underdogs, making this documentary incredibly timely in the wake of #metoo.
Mysteries and thrillers are perfect for dark and stormy nights, and The Invitation might be the ideal film to chill you to your core. The film stars Logan Marshall-Green as Will, a divorcee who drive his girlfriend Kira to a dinner party hosted by his ex-wife at his old house in the Hollywood Hills. Will’s ex, Eden, alongside her new husband David, welcomes Will and Kira to the party, though immediately, something feels wrong. As Will continues to deal with the grief of his deceased son (the reason Eden and him split up), he begins to feel like something is wrong with his ex-wife and her husband’s motivations. The tale is dark and grim, and as the night advances, you’ll begin to put the pieces together in this thrilling tale of mystery and murder.
Though certainly not one of the Coen Brothers most-accessible films, A Serious Man is often lauded for its balance of black comedy and razor-sharp wit. The film stars well-known actor Michael Stuhlbarg as a Minnesota Jewish man whose life begins to crumble both professionally and personally, as his wife asks for a divorce and he faces a vote on his tenure at a local university, leading him to question his faith and his religion. The film is bleak, dry, and in some cases, absolutely absurd—all comments meant as compliments. This is an odd film that won’t please everyone, but the Coen Brother completionists, it’s a must-see film.
From acclaimed director Olivier Assayas, Clouds of Sils Maria is an English-language French film that takes place in Switzerland, following the struggles of an older adult female actress. Juliette Binoche stars as Maria Enders, an international film and stage actress who gained her big break twenty years prior when she starred as a young girl in the stage and film versions of a play entitled Majola Snake. The film begins when Enders, accompanied by her assistant Valentine (Kristen Stewart) is travelling to visit the playwright of Majola Snake, Wilhelm Melchior, and to accept an award on his part when she learns he’s died. During this time, she’s approached by a young new director wishing for her to take part in a new revival of the play, but in the role of the older woman opposite the young girl. Throughout the film, Enders must come to terms with a reflection of herself and what her life has been, as she prepares to start this new role.
Don’t Think Twice is the second and most-recent film from director, comedian, and actor Mike Birbiglia, who is best-known for his unique brand of stand-up that combines jokes with one-man shows to tell stories from his life revolving around single themes. Don’t Think Twice pulls from Birbiglia’s comedy background, following an improv group in New York called The Commune headed by Miles (Birbiglia) and featuring his friends Jack (Keegan-Michael Key), Sam (Gillian Jacobs), Allison (Kate Micucci), Lindsay (Tami Sagher), and Bill (Chris Gethard). When Jack receives a call from a representative with Weekend Live, an SNL-style show, inviting him to audition, the group dynamic is forced to change and face reality when he leaves to join television.
Directed by So Yong Kim, Lovesong follows Sarah (Riley Keough), a stay at home mother whose husband is often absent for work and dismissive of Sarah’s concerns about his absences. When she contacts an old friend, Mindy (Jena Malone), following feelings of isolation and loneliness, the two embark on a road trip together after years apart, bringing Sarah’s toddler daughter along for the ride. The two rekindle their friendship over stories of their past, as Mindy’s carefree and untroubled lifestyle and outlook begin to win over Sarah’s own heart. The film follows the relationship that grows between these two friends.
Frances Ha won’t please every reader of this list, but in our eyes, it’s well worth watching. Some have criticized the film as aimless, but for those it connects with, Frances Ha represents a modernization of the principles and ideas first shown in films from the French New Wave era of the 1960s. From the black and white film aesthetic to the impromptu trip to Paris halfway through the film, the inspiration from titles like Breathless and The 400 Blows is all over this title, co-written by director Baumbach and star Greta Gerwig (who later brought her wit and talent for writing to 2017’s critically acclaimed Lady Bird). It won’t be everyone’s cup of tea, but the films topped several year-end lists and found critical acclaim with the film community. Baumbach’s films are generally fairly bleak, and it makes for a great mixture with Gerwig’s brightness and sense of joy found within dark.
Based on the moon-landing conspiracy theories that have perpetuated in American culture for decades, Moonwalkers stars Ron Perlman as CIA agent Tom Kidman and Rupert Grint (Harry Potter) as a struggling band promoter. When Kidman is tasked with hiring filmmaker Stanley Kubrick to film a fake moonwalk in case something goes wrong with the actual space mission, he files to England to meet with Kubrick’s agent. When plans get mixed up, he accidentally meets the agent’s cousin Jonny (Grint), who agrees to arrange a meet-up between Kidman and Kubrick, only to bring his stoner roommate Leon disguised as Kubrick to the meeting instead. After realizing he’s been fooled, Kidman and Jonny must work together to create the film for the US government to save both of their skins.
Directed by Francis Lee in his feature debut, God’s Own Country is a haunting tale of love and loss in the English countryside. The film follows Johnny Saxby (Josh O’Connor), a young man who lives on his family farm with his father Martin, and his grandmother Deidre. Johnny takes care of most of the farm by himself, his father unable to assist after experiencing a stroke and his grandmother aged out of the farm life. Johnny’s life is a mess, drinking heavily and having sexual encounters with men in his spare time. When Johnny’s actions result in the loss of a calf, Martin hires help in the form of Gheorghe (Alec Secăreanu), a Romanian farm hand who is initially treated harshly by Johnny. When Johnny refers to Gheorghe by a slur, the two men find themselves in a fight that quickly turns sexual. With the nature of their relationship, Johnny must learn quickly who he is, less he face the consequences of a broken heart. The film was critically-acclaimed upon its release last year.
Based on three short stories by Maile Meloy’s collections of writing, Certain Women is Kelly Reichardt’s 2016 drama, following her 2013 film Night Moves. The film, which was critically acclaimed for both its direction and its acting, stars Kristen Stewart, Laura Dern, and Michelle Williams as three strong-willed women living in the plains of the American Northwest, each dealing with her own personal setbacks and frustrations. Kristen Stewart portrays Beth Travis, a young law student who forms a bond with a ranch hand; Laura Dern plays a lawyer who finds herself dealing with office sexism and a toxic client; and Michelle Williams plays a wife and mother who finds her determination to build her dream home places her between a rock and a hard place with her husband.
Michel Gondry’s second feature-length film also happens to be his best, as he paired with screenwriter Charlie Kaufman to produce one of the best films of the 2000s. The film is, at once, a romantic comedy, a heartbreaking drama, and a science-fiction tale that features heavy doses of the dream logic Kaufman has become known for throughout his career of crafting films like Being John Malkovichor Synecdoche, New York. The film follows Joel (Jim Carrey, in a career-best performance), who meets Clementine (Kate Winslet) on a train from Montauk to Rockville Center. The two quickly become connected to each other, and the truth slowly unveils itself: the two are former lovers, having both used a controversial procedure to forget each other after a fight days earlier. The film follows Joel forgetting Clementine through this procedure, as she’s erased from his life altogether.
Orson Welles had no shortage of long-lost projects, including Don Quixote and The Merchant of Venice, among other projects. One of the most famous unfinished projects was The Other Side of the Wind, originally slated to come out in the 1970s after six years of starts and stops in production. The film acts as a parody of old Hollywood filmmaking and the New Hollywood style of the 70s, shot as a mockumentary and in black and white—both uncommon traits for that decade. After sitting on a shelf for over forty years, the film has arrived as a new project from Welles distributed by Netflix, and by all accounts, the long-lost project is an excellent final marking on the late director. The film, which follows a director returning to Hollywood from Europe to finish his comeback movie, is delightfully meta and well-worth a watch.
Our second Noah Baumbach tale is also his newest film, and a Netflix original. The Meyerowitz Stories (New and Selected) tells the story of three children: Danny, Matthew, and Jean Meyerowitz, played here by Adam Sandler, Ben Stiller, and Elizabeth Marvel, respectively. Danny and Jean are siblings, with Matthew as their half-brother, all tied together by their rocky relationship with their father Harold (Dustin Hoffman). Though the three children are relatively estranged from each other, their father’s upcoming career retrospective brings all three to New York City to reunite, bicker, and deal with their life’s problems. Despite the prominence of Sandler and Stiller, don’t expect this to be a laugh-riot; like Baumbach’s other tales, this is drama first, comedy second, though critics have praised Sandler’s dramatic turn here as his best since Punch Drunk Love.
A difficult film to explain, Under the Skin is a film from Jonathan Glazer (Birth), loosely based on the novel of the same name. It stars Scarlett Johansson as a being from somewhere else, who arrives to Earth and prays on men in Scotland. The film effectively works as a portrait of an alien attempting to collect data about humankind, causing an identity crisis in the alien which ends with her spinning out of control. The idea of men being punished for desiring women that appear vulnerable can also be attributed to the science-fiction ideals in the film, though as always, the film is up to a certain amount of reading into by the viewer. Under the Skin is a tough watch, a box office bomb that nevertheless has received critical acclaim. If you love hard sci-fi, you owe it to yourself to check this one out.
A recent Netflix Original film, Mudbound tells the story of two World War II veterans living in rural Mississippi following the conclusion of the war. The film begins when Henry McAllen (Jason Clarke) and his wife Laura (Carey Mulligan) purchase a farm alongside Henry’s brother Jamie and their father, Pappy (Jonathan Banks, Breaking Bad and Better Call Saul). The Jackson family, led by Ronsel Jackson (Jason Mitchell) works the farm for the McAllens, until Ronsel and Jamie are pulled away to fight in the war. Upon returning, Jamie deals with PTSD and alcoholism, while Ronsel deals with readjusting to southern racism following his life in Europe. As Ronsel and Jamie begin to strike up a friendship, despite the objections of Pappy, the struggle to readjust to American life threatens to break apart both families. Mudbound is the first Netflix film nominated at the Academy Awards, up for eight awards at the 2018 Oscars.
A24 has made its name as a studio on the strength of its indie flair, but its division of horror films shouldn’t go unsung. With so many horror films being manufactured jump-scare machines, the studio has made a solid effort at crafting terrifying, slow-paced horror thrillers, and that all began with The Witch, the debut film from director Robert Eggers. Set in 1630 New England and spoken using period-accurate English, the film follows as panic and despair envelops a farmer, his wife, and their children when their youngest son Samuel disappears. The family blames his disappearance on Thomasin (Anya Taylor-Joy, in her major film debut), the oldest daughter who was supposed to be watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy and Jonas suspect their older sister of witchcraft, testing the clan’s faith and loyalty along the way.
In Blue Valentine, Derek Cianfrance’s romantic drama film from 2010, viewers watch a romance fall from grace, told nonlinearly and with as much heartbreak as you might imagine. The film follows Dean (Ryan Gosling) and Cindy (Michelle Williams), a married couple that lives a modest life in a quiet neighborhood with their daughter Frankie and a dog. The film flashes back and forth between the early days of their relationship and the present, as their relationship slowly breaks down following a series of setbacks. The film is heartbreaking, a truly sad examination of a promising relationship dug down into the earth by the harshness of life, as both Dean and Cindy deal with the disappointments and hardships that leave them broken. The film was critically acclaimed, and can break your heart again and again when it comes on Netflix later this month.
Growing up can be pretty difficult, and no one knows that more than high school junior Nadine (Hailee Steinfeld, in one of her best performances). Currently trapped in her junior year of high school, Nadine already feels incredibly awkward trapped in her life when her older brother, popular kid Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). All at once, Nadine feels more alone than ever, until an unexpected friendship with a thoughtful teen (Hayden Szeto) gives her a glimmer of hope that things just might not be so terrible after all. The film was produced by James L. Brooks, and was the directing debut of Kelly Fremon Craig (Post Grad).
A brand-new Netflix original film, Dumplin’ was released at the tail end of 2018 quietly onto Netflix. Unlike a film like Bird Box, which saw massive promotion during the holidays, Dumplin’ went more unnoticed by fans, and it’s time to correct that. Based on a young adult novel of the same name, Dumplin’ follows a plus-size teenage daughter (Danielle Macdonald) whose mother is a former beauty queen (Jennifer Aniston). When she signs up for her mother’s pageant as a protest against the idea of mainstream beauty contests. When other contestants follow in her footsteps, however, things escalate quickly, leading to a full-on revolution of the pageant in Dumpin’s small Texas town.
We’ve already recommended Clouds of Sils Maria on this list, but the newest film from director Olivier Assayas is just as good, particularly for Kristen Stewart’s performance in the film as Maureen. After moving to Paris from America, Maureen gets a job working as a personal shopper for a celebrity in order to pay her rent, traveling around European capitals to shop and buy clothes. Maureen is dealing with the loss of life, with her twin brother Lewis having recently died from a heart attack. Sharing the same genetic heart problem, she mourns for her twin brother, while also believing she has a connection to the spirit world. After having a brief spiritual encounter, Maureen thinks she can reconnect with her brother from beyond the grave.