The Top 100 Movies on Netflix – July 2019

Mysteries and thrillers are perfect for dark and stormy nights, and The Invitation might be the ideal film to chill you to your core. The film stars Logan Marshall-Green as Will, a divorcee who drive his girlfriend Kira to a dinner party hosted by his ex-wife at his old house in the Hollywood Hills. Will’s ex, Eden, alongside her new husband David, welcomes Will and Kira to the party, though immediately, something feels wrong. As Will continues to deal with the grief of his deceased son (the reason Eden and him split up), he begins to feel like something is wrong with his ex-wife and her husband’s motivations. The tale is dark and grim, and as the night advances, you’ll begin to put the pieces together in this thrilling tale of mystery and murder.

The directorial debut from writer Taylor Sheridan, the concluding chapter in his frontier trilogy that included films Sicario and Hell or High Water, three stories unconnected to each other but with similar themes about rural America. Wind River stars Jeremy Renner and Elizabeth Olsen as a US Fish and Wildlife Reserve officer and an FBI agent, respectively, whose paths cross on the Wind River Indian Reservation in Wyoming following the discovery of a body and questions surrounding whether it was a homicide. When the autopsy reveals the woman found dead was also raped, Jane Banner (Olsen) arrives to investigate, teaming with Officer Lambert (Renner) to find the culprit. Quickly, the two realize they may be in over their head while trying to solve the mystery of the woman’s death.

This 2008 biographical film follows Harvey Milk, who was a major gay rights activist in California and the first openly gay person ever elected to hold office in that state. Directed by Gus Van Sant (director of Good Will Hunting and Finding Forrester), and written by Dustin Lance Black (J. Edgar), the film tells the story of Milk throughout the 70s until his death in 1978. The film has been critically lauded as a return to form for Sant, and both Sean Penn’s portrayal of Harvey Milk and the script by Black went onto win Oscars in 2009. The film co-stars Josh Brolin, Emile Hirsch, James Franco, Alison Pill, and Rogue One‘s Diego Luna, and is absolutely worth watching for its riveting, surprisingly sensitive look at this man and his political and real-world opponents.

National Treasure is, in our eyes, the ultimate adventure film, an ode to Indiana Jones that might not live up to the greatness of its predecessors, but manages to create a historial heist movie that keeps you on the edge of your seat for the entire runtime. The film follows Benjamin Gates (Nicolas Cage, in one of his most famous roles), a historian and treasure hunter whose grandfather told him the story of the fabled national treasure held secret by the Founding Fathers, a rumor that Gates, now an adult, continues to chase. On an expedition with his colleague Ian Howe (Sean Bean) and his friend Riley (Justin Bartha), Gates discovers a clue that leads the group to believe the next hint is on the back of the Declaration of Independence. Betrayed by Ian and his men and laughed out of the offices of the National Archives, Gates realizes he has no choice but to do the only thing possible to save the day: steal the Declaration of Independence.

Though certainly not one of the Coen Brothers most-accessible films, A Serious Man is often lauded for its balance of black comedy and razor-sharp wit. The film stars well-known actor Michael Stuhlbarg as a Minnesota Jewish man whose life begins to crumble both professionally and personally, as his wife asks for a divorce and he faces a vote on his tenure at a local university, leading him to question his faith and his religion. The film is bleak, dry, and in some cases, absolutely absurd—all comments meant as compliments. This is an odd film that won’t please everyone, but the Coen Brother completionists, it’s a must-see film.

The fourth narrative-based film from acclaimed director Ava DuVernay (Selma) promised to be a major milestone in film for multiple reasons. With the filming of A Wrinkle in Time, DuVernay became the first African American woman to direct a film with a budget totalling nine figures, and the first African American director of a film to make more than $100 million at the box office. Despite these historical precedents, A Wrinkle in Time is no perfect film. Though it’s visually stunning, the novel is a difficult work to adapt to the big screen. While we enjoyed it, it’s definitely something to keep an open mind on before diving into such a divisive film.

The first superhero film to be nominated for Best Picture at the Oscars, Black Panther is one of the best Marvel movies to date. A critical darling and a massive box office success, Black Panther tells the story of T’Challa, the king of the African nation of Wakanda who steps up to fill his father’s shoes after King T’Chaka dies during the events of Civil War. To the rest of the world, Wakanda is a poor third-world nation that barely scrapes by on their own, but secretly, thanks to a meteor containing vibranium crashing into their country thousands of years prior, they’ve become one of the richest and most-technologically advanced countries on the planet. When T’Challa’s rule is challenged by a relative who grew up outside of Wakanda, they’ll have to fight it out to figure out which gets to rule.

The film that helped to escalate the careers of both Matt Damon and Ben Affleck, Good Will Hunting is one of the quintessential films of the 1990s. Directed by Gus Van Zant (Drugstore Cowboy, My Own Private Idaho), the film follows Will Hunting (Matt Damon), a young man with a genius-level IQ who works as a janitor at MIT. One afternoon, while solving a difficult math problem designed for graduate students, he’s discovered by Gerald Lambeau (Stellan Skarsgard), a professor who helps to bail Will out of jail after he’s arrested for attacking a Boston police officer. With the police department’s permission, Lambeau makes a deal to score him a lesser sentence, albeit under the condition he seeks help from therapist Sean Maguire (Robin Williams).

Based on the real-life experiment that occurred in 1971, The Stanford Prison Experiment tells the story of Stanford professor Philip Zimbardo (Billy Crudup), who conducts a controversial psychology experiment with his students in order to determine whether or not the personality traits of prisoners and guards are the chief cause of abusive behavior between them. Zimbardo selects fifteen male students to participate in a 14-day prison simulation to take roles as prisoners or guards. For their work in the experiment, they receive $15 per day (nearly $100 in 2018 money). It doesn’t take long for the proceedings to get out of hand, of course, and before you know it, both the prisoners and Zimbardo himself become abusive towards the mock-prisoners. Intense and hard to watch, The Stanford Prison Experiment is a must-see.

Directed by Francis Lee in his feature debut, God’s Own Country is a haunting tale of love and loss in the English countryside. The film follows Johnny Saxby (Josh O’Connor), a young man who lives on his family farm with his father Martin, and his grandmother Deidre. Johnny takes care of most of the farm by himself, his father unable to assist after experiencing a stroke and his grandmother aged out of the farm life. Johnny’s life is a mess, drinking heavily and having sexual encounters with men in his spare time. When Johnny’s actions result in the loss of a calf, Martin hires help in the form of Gheorghe (Alec Secăreanu), a Romanian farm hand who is initially treated harshly by Johnny. When Johnny refers to Gheorghe by a slur, the two men find themselves in a fight that quickly turns sexual. With the nature of their relationship, Johnny must learn quickly who he is, less he face the consequences of a broken heart. The film was critically-acclaimed upon its release last year.

In the aftermath of the Disney Renaissance, the animation department was a bit lost. Some of their films were outright disasters either critically (Home on the Range, a film that basically doesn’t exist) or commercially (Treasure Planet), while other oddball entries have their set of fans. The Emperor’s New Groove is one such film; though it may not feature the love and heart of something like The Lion King or Beauty and the Beast, it’s a comically-zany film that is genuinely hilarious. When Emperor Kuzco (the voice of David Spade) is transformed into a llama by his advisor Yzma (Eartha Kitt, having a ball) in order to get him out of the ruler’s seat, he must work together with Pacha (John Goodman) to get him back on the throne before being killed once and for all.

In this new Netflix Original film, director Jeremy Saulnier (Blue Ruin, Green Room) follows a wolf expert named Russell Core (Jeffrey Wright), who is called to a village in Alaska to help hunt down wolves seemingly responsible for the deaths of three small children. When he arrives in Alaska, he meets with Medora Slone (Riley Keough), whose son was the third child to go missing. He learns that he husband, Vernon (Alexander Skarsgard, It), is away on military leave, while the father of the second child taken, she informs him, will not be speaking to Russell. As things begin to grow darker, Russell will have to hurry to figure out the mystery behind the disappearance of children, all while risking his own life in the process.

Based on the book of the same name, To All the Boys I’ve Loved Before follows Lara-Jean, a half-Asian, half-Caucasian 16-year-old high school student who begins her first year of high school without her older, now-graduated sister, Margot. Lara-Jean has never had a boyfriend, but has had multiple crushes, including on her sister’s now-ex-boyfriend Josh and the popular boy at school, Peter. She keeps a series of five letters to her former crushes in her room, a method that allows her to clear out her love of these boys without having to worry about keeping her feelings bottled up. When her younger sister mails the letters, she’s forced to reconcile with her feelings now being out in the open.

This documentary from filmmaker Ava DuVernay promises to explore “the intersection of race, justice and mass incarceration in the United States,” and it sticks the landing. Taking its name from the 13th amendment, which freed the slaves in the United States and prohibited slavery unless as punishment for a crime, the film takes a long, hard look at how the prison system in the United States was built to continue the idea of slavery through the enablement of white police officers to more easily arrest black persons in the USA to force them to work under convict leasing. The result is a chilling documentary that covers Jim Crow laws, the suppression of African Americans by disenfranchisement, and the war on drugs created to target minority communities. The film won an Emmy, and was nominated for an Oscar for Best Documentary.

Considered an achievement in filmmaking and nominated for six Academy Awards in 2015, Boyhood tells the story of Mason Evans Jr., from 2002 to 2013, as he grows from a six-year-old boy to a young adult headed to college, following each year in his life over its nearly-three hour runtime. Director Richard Linklater (School of Rock, the aforementioned Before Midnight) is no secret to playing with time, as he did with the Before trilogy, and Boyhood follows a similar premise. The film shot each year from 2002 to 2013, essentially being written as the crew and cast grew up around the film. The child actor cast as Mason, Ellar Coltrane, was seven when the film began shooting, and was 19 when the film wrapped in 2013.  Also starring in the film: Before‘s Ethan Hawke as Mason’s father, and Patricia Arquette as his mother, who won an Oscar for her performance.

Steven Soderbergh is the master of mixing genre on film, from his heist-comedies in the Ocean’s films to his darker films like Contagion and The Limey. He’s frequently mentioned as one of the best directors working today, and by revisiting The Informant!, it’s easy to see why. The film walks a difficult tone between sarcastic irony and comedic drama, a tough balance to draw, and Soderbergh mostly hits it out of the park. From the casting of mostly comedic actors in deadpan roles (Joel McHale, Tom Papa, Patton Oswalt, Scott Adsit, and Paul F. Tompkins all make appearances) to Matt Damon’s starring role as the self-destructive whistleblower who finds himself digging a bigger and bigger hole as he runs his mouth, The Informant! is a fantastic watch for anyone who loves comedic crime films and unlikable characters.

In the directorial debut of screenwriter Alex Garland (28 Days Later, Never Let Me Go, Sunshine), we’re introduced to Caleb Smith, a programmer for Blue Book, a Google-esque search engine led by mysterious, isolated CEO Nathan Bateman. When Smith wins a trip to meet the CEO of his company for a week, he finds out that Nathan lives alone, with the sole exception of his assistant, Kyoko, a robot powered by an artificial intelligence. Nathan introduces Caleb to Ava, a more-powerful robot that has passed a Turing test, with Nathan hoping Caleb will help him to understand whether Ava is thinking real thoughts and emotions. As Nathan’s narcissism and heavy drinking makes Caleb grow uncomfortable, he’ll slowly begin to turn on the CEO of the company. But when Ava turns out to be far more capable and self-sufficient than at first glance, Caleb must begin to ask: can he trust anyone, let alone himself?

The first of two Noah Baumbach films on this list, Frances Ha won’t please every reader of this list. The film has been criticized as aimless, but for those it connects with, Frances Ha represents a modernization of the principles and ideas first shown in films from the French New Wave era of the 1960s. From the black and white film aesthetic to the impromptu trip to Paris halfway through the film, the inspiration from titles like Breathless and The 400 Blows is all over this title, co-written by director Baumbach and star Greta Gerwig (who later brought her wit and talent for writing to 2017’s critically acclaimed Lady Bird). It won’t be everyone’s cup of tea, but the films topped several year-end lists and found critical acclaim with the film community. Baumbach’s films are generally fairly bleak, and it makes for a great mixture with Gerwig’s brightness and sense of joy found within dark.

From directors Chris and Paul Weitz (American Pie) comes About a Boy, a romantic-comedy starring Hugh Grant and Toni Collette, the film follows Will (Hugh Grant), a rich, child-free and irresponsible Londoner in his thirties who, in search of available women, invents an imaginary son and starts attending single parent meetings. As a result of one of his liaisons, he meets Marcus, an odd 12-year-old boy with problems at school. Gradually, Will and Marcus become friends, and as Will teaches Marcus how to be a cool kid, Marcus helps Will to finally grow up.

A quintessential entry in the catalogue of great American sports movies, Miracle tells the story of the 1980 United States Olympic hockey team, from their formation through their training and, eventually, their victory against the Russian hockey team at the height of the Cold War. The story begins when University of Minnesota head coach Herb Brooks (Kurt Russell) meets with the US Olympic Committee to discuss strategies for winning the 1980 Olympics. Brooks pitches the group on picking amateur players as opposed to pro-level athletes, leading to doubts that the American team will make it far in their quest for gold medals in any way. Even if you know the story, Miracle is a worthy retelling, an entertaining and fascinating story of training hard for the things you want and for sticking with the ideas you believe in.

Our second Noah Baumbach tale is also his newest film, and a Netflix original. The Meyerowitz Stories (New and Selected) tells the story of three children: Danny, Matthew, and Jean Meyerowitz, played here by Adam Sandler, Ben Stiller, and Elizabeth Marvel, respectively. Danny and Jean are siblings, with Matthew as their half-brother, all tied together by their rocky relationship with their father Harold (Dustin Hoffman). Though the three children are relatively estranged from each other, their father’s upcoming career retrospective brings all three to New York City to reunite, bicker, and deal with their life’s problems. Despite the prominence of Sandler and Stiller, don’t expect this to be a laugh-riot; like Baumbach’s other tales, this is drama first, comedy second, though critics have praised Sandler’s dramatic turn here as his best since Punch Drunk Love.

Set in 1930s Foshan, Ip Man begins as the town is known as a popular hub for learning Southern Chinese Martial Arts, with numerous schools that often compete against one another. The film follows the titular Ip Man (Donnie Yen, Rogue One: A Star Wars Story), a Wing Chun master whose wealth and skills have led him to keep a low profile, choosing to avoid working within the schools as a teacher and instead focusing on his training. This changes with the 1937 Japanese invasion, which cause Ip Man to lose his house and his wealth, forcing him into a rundown apartment and into working within coal mines. When Ip’s friend Lin fails to return from a fight, Ip begins a quest to destroy the Japanese army at any cost, even if it destroys himself in the process. The film is loosely based on the real life of Ip Man, the Wing Chun grandmaster and the man who trained Bruce Lee.

Directed by Lenny Abrahamson (Frank) and adapted from the novel of the same name, Room tells the story of 24-year-old Joy Newsome and her 5-year-old son Jack, who live in a locked shed called “room.” Unbeknownst to young Jack, they are held captive by “Old Nick,” a man who kidnapped Joy seven years prior and who is the biological father to Jack. Joy tries to balance her own mental health while being as much of a mother to Jack as she can be, though Jack believes the world consists of “room” and television, and not much else. When Joy manages to hatch a plan to get Jack to escape and alert the authorities, it sets off a chain reaction of events that will send Joy and Jack spiraling, as they attempt to adjust to a new world.

Based on the limited run of comics of the same name and written by the Wachowskis, V for Vendetta is a dystopian political thriller set in a terrifying alternate future, where a Nordic supremacist class and neo-fascist regime has subjugated the United Kingdom, oppressing the people and turning the state into a nightmare for many. The rise of a mysterious anarchist freedom fighter named V (Hugo Weaving) begins to ignite a revolution through elaborate, flashy-yet-violent terrorist acts. Meanwhile, a young working-class woman named Evey (Natalie Portman) gets caught up in V’s mission, causing her to lose everything in her life in pursuit of freedom, all while a detective (Stephen Rea) works towards stopping V on behalf of the government.

A recent Netflix Original film, Mudbound tells the story of two World War II veterans living in rural Mississippi following the conclusion of the war. The film begins when Henry McAllen (Jason Clarke) and his wife Laura (Carey Mulligan) purchase a farm alongside Henry’s brother Jamie and their father, Pappy (Jonathan Banks, Breaking Bad and Better Call Saul). The Jackson family, led by Ronsel Jackson (Jason Mitchell) works the farm for the McAllens, until Ronsel and Jamie are pulled away to fight in the war. Upon returning, Jamie deals with PTSD and alcoholism, while Ronsel deals with readjusting to southern racism following his life in Europe. As Ronsel and Jamie begin to strike up a friendship, despite the objections of Pappy, the struggle to readjust to American life threatens to break apart both families. Mudbound is the first Netflix film nominated at the Academy Awards, up for eight awards at the 2018 Oscars.

Adapted from Neil Gaiman’s book of the same name, Coraline is the first feature film produced by Laika Studios, a stop-motion animation studio that has created some incredible work over the past decade. Coraline tells the story of Coraline Jones, an adventurous 11-year-old who is uprooted from her home to move to a new one she doesn’t much care for. While looking for something to do in her new area, she goes exploring and discovers a secret door in her new house—one that leads to a parallel world, where her parents have time for her and listen to her needs. While this idealized world feels too perfect to be true, the truth is far more sinister: the world is hiding a dark secret. The film was directed by Henry Selick, best known to animation fans as the man behind The Nightmare Before Christmas and James and the Giant Peach.

Fans of the 2011 action-drama Drive were thrilled when Ryan Gosling re-teamed up with Drive‘s director Nicolas Winding Refn for 2013’s Only God Forgives, a film which featured a trailer that made the entire movie look like a return to the slow-burn, visceral violence featured in Drive. That isn’t necessarily too far off base, but we’d be lying if we said Only God Forgives played like another film in the Drive canon. The film follows Julian Thompson (Gosling), a drug trafficker in Thailand whose mother (Kristin Scott Thomas) sends him on a mission to avenge the murder of his older brother, a criminal who was killed after he beat a prostitute to her death. The film was famously booed following its premiere at Cannes Film Festival (while some gave a standing ovation), and features controversial scenes of violence and sexuality. Since that premiere, the film has continued to feature a polarized reaction from both critics and audiences; even five years later, it remains a difficult watch.

Okja is another Netflix-exclusive film, and the second English-language film made by Bong Joon-ho, the director of South Korean films The Host, Mother (neither of which should be confused with the American films of the same name), and Snowpiercer. Like Snowpiercer, Okja is an action-adventure film that uses its plot as a major metaphor for a real-life lesson, this time concerning factory-farming and the concept of environmentalism. The film may not be subtle with its messaging, but that doesn’t stop it from being an excellent, spellbinding, and infinitely sad tale. The main character is played here by South Korean actress Ahn Seo-hyun, but don’t think you won’t see some recognizable faces. Tilda Swinton, Paul Dano, Lily Collins, Giancarlo Esposito, and Jake Gyllenhaal all turn up here among their South Korean counterparts.

A24 has made its name as a studio on the strength of its indie flair, but its division of horror films shouldn’t go unsung. With so many horror films being manufactured jump-scare machines, the studio has made a solid effort at crafting terrifying, slow-paced horror thrillers, and that all began with The Witch, the debut film from director Robert Eggers. Set in 1630 New England and spoken using period-accurate English, the film follows as panic and despair envelops a farmer, his wife, and their children when their youngest son Samuel disappears. The family blames his disappearance on Thomasin (Anya Taylor-Joy, in her major film debut), the oldest daughter who was supposed to be watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy and Jonas suspect their older sister of witchcraft, testing the clan’s faith and loyalty along the way.

The controversial film from director Harmony Korine, Spring Breakers is a tough watch, no matter how you approach the film. Following four college students as they descend into a life of crime surrounding spring break, the film begins when Candy  (Vanessa Hudgens), Faith (Selena Gomez), Brit (Ashley Benson) and Cotty (Rachel Korine) find themselves short on cash to attend their upcoming vacation. After robbing a diner and heading to Florida, they’re arrested from a local party before being bailed out by a rapper and drug dealer named Alien (James Franco). Slowly, the girls are driven apart by the gang lifestyle, leading to a break in their group and the corruption of two of the girls.

In Blue Valentine, Derek Cianfrance’s romantic drama film from 2010, viewers watch a romance fall from grace, told nonlinearly and with as much heartbreak as you might imagine. The film follows Dean (Ryan Gosling) and Cindy (Michelle Williams), a married couple that lives a modest life in a quiet neighborhood with their daughter Frankie and a dog. The film flashes back and forth between the early days of their relationship and the present, as their relationship slowly breaks down following a series of setbacks. The film is heartbreaking, a truly sad examination of a promising relationship dug down into the earth by the harshness of life, as both Dean and Cindy deal with the disappointments and hardships that leave them broken. The film was critically acclaimed, and can break your heart again and again now that it’s streaming on Netflix.

Growing up can be pretty difficult, and no one knows that more than high school junior Nadine (Hailee Steinfeld, in one of her best performances). Currently trapped in her junior year of high school, Nadine already feels incredibly awkward trapped in her life when her older brother, popular kid Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). All at once, Nadine feels more alone than ever, until an unexpected friendship with a thoughtful teen (Hayden Szeto) gives her a glimmer of hope that things just might not be so terrible after all. The film was produced by James L. Brooks, and was the directing debut of Kelly Fremon Craig (Post Grad). 

In the third Thor movie and the seventeenth film set in the Marvel Cinematic Universe, Thor is back in an all-new adventure that more or less resets the universe and ignored the events of the previous two movies. By far the most-successful Thor film both critically and financially, Thor: Ragnarok is directed by Taika Waititi (What We Do in the Shadows; Hunt for the Wilderpeople). The film starts as Thor escapes from a fire demon, who prophesied the end of Asgard by way of Ragnarok; when Thor defeats him in combat, taking his crown, he believes he has ended the threat. Returning home to Asgard, Thor reveals Loki has been masquerading as Odin, king of Asgard. When the real Odin dies of old age, Thor and Loki’s long-lost sister Hela returns to claim her right to the throne. The film is visually incredible, hilarious in parts, and features some incredible performances from the likes of Cate Blanchett, Tessa Thompson, and the great Jeff Goldblum.

A difficult film to explain, Under the Skin is a film from Jonathan Glazer (Birth), loosely based on the novel of the same name. It stars Scarlett Johansson as a being from somewhere else, who arrives to Earth and prays on men in Scotland. The film effectively works as a portrait of an alien attempting to collect data about humankind, causing an identity crisis in the alien which ends with her spinning out of control. The idea of men being punished for desiring women that appear vulnerable can also be attributed to the science-fiction ideals in the film, though as always, the film is up to a certain amount of reading into by the viewer. Under the Skin is a tough watch, a box office bomb that nevertheless has received critical acclaim. If you love hard sci-fi, you owe it to yourself to check this one out.

Though most often praised for its incredible screenplay, Hot Fuzz manages to pull off multiple layers of filmmaking at once. Director Edgar Wright’s (Scott Pilgrim vs. the World, Baby Driver) second theatrical film and the middle entry in his Three Flavours Cornetto Trilogy of films stars, as expected, Simon Pegg and Nick Frost, returning from Shaun of the Dead and the television series Spaced. In Hot Fuzz, Pegg plays Nicholas Angel, a London officer who is transferred to the small town of Snadford when his fellow officers realize his excellent police work will put them out of a job. While there, Angel begins to suspect a violent conspiracy is erupting from within the town, and together with police constable Danny Butterman (Frost), he attempts to crack the case behind a series of deadly “accidents” to bring the culprit to justice. Part paroday and part homage, Hot Fuzz is a hilarious sendup to American action films with a British sensibility, even going as far to directly parody Bad Boys 2 and Point Break. It’s a must-see.

One of the best films of 2013 arrived on Netflix in late July, and it’s well worth checking out. Her is the fourth film from acclaimed filmmaker/occasional Jackass star Spike Jonze, following his two collaborations with Charlie Kaufman (Being John Malkovich and Adaptation) and his adaptation of Where the Wild Things Are in 2009. The film is set in a near-future Los Angeles and follows Theodore Twombly (Joaquin Phoenix), a lonely introvert who is going through a divorce with his childhood sweetheart (Rooney Mara). Unhappy with his life, Twombly purchases a smart operating system upgrade for his computer, designed with artificial intelligence and able to adapt and evolve. Deciding to give her a female voice, the operating system nicknames itself Samantha, and Theodore begins bonding with her. The film follows Theodore as he develops a relationship with his AI, and as he learns to grow and adapt as a person himself.

Quentin Tarantino’s eighth and most recent film, The Hateful Eight is a full-blown western from the legendary director, set in the post-Civil War era of the United States during a harsh blizzard outside Red Rock, Wyoming. Major Marquis Warren (Samuel L. Jackson), a bounty hunter, is transporting three dead fugitives to the town of Red Rock when he catches a ride to town from John Ruth (Kurt Russell), a similar bounty hunter bringing in Daisy Domergue (Jennifer Jason Leigh). When the trio gets stuck in a blizzard, they make a beeline for Minnie’s Haberdashery, a stagecoach lodge, where they meet the other people staying at the house through the blizzard. While hostilities rise between the group, Daisy sees someone poison the coffee, leading to the death of two more characters. As a murder mystery begins to rise, the only question that remains is simple: is it more dangerous in the blizzard, or in Minnie’s Haberdashery? The film was also recently recut by Tarantino and his editor into a four-episode miniseries exclusive to Netflix, featuring all-new footage.

Blue is the Warmest Color tells the story of Adèle, an introverted, quiet French teenager who is unsatisfied with her life. She feels disappointed by her current relationship with Thomas, and upon passing by a woman with short blue hair on the street, feels an immediate sense of attraction. Troubled by her sense of sexual identity, her openly-gay friend Valentin takes her to a gay bar. At a lesbian bar the same night, Adèle meets Emma, the girl from the street with the short blue hair, an aspiring artist and grad student. The two slowly become friends and, eventually, lovers, and the film begins to track their relationship as Adèle grows from a girl into a woman. At three hours and with an NC-17 rating, the film isn’t an easy watch, but Blue is the Warmest Color is one of the best romance films of the past decade, and is absolutely worth watching in its entirety.

Pixar’s had something of a rough stretch for the last few years. Although the company’s streak of film’s between 1995 and 2010 are largely indisputable as incredible (with the single exception of Cars and, arguably, parts of Up), the production company’s films between 2011 and 2018 have been mixed. Some have held up well, including 2015’s Inside Out, and plenty of them (Monsters U, Finding Dory, Brave) have been warmly received, but others like The Good Dinosaur were largely ignored or met with a shrug. Coco is closer to Inside Out in this regard, a warm hit that has a slow first act but picks up in the halfway point of the movie, coming around in the third act to hit you with the Pixar-signature emotional punch. It’s a great film, and if you’re looking for something new to watch on Netflix with the entire family and missed this one in theaters, it’s a perfect time to revisit it.

Before Children of Men and Gravity, before Harry Potter and the Prisoner of Azkaban and this year’s Roma, there was Y Tu Mama Tambien, the fourth film by Mexican director Alfonso Cuaron and his breakout project. The film follows Julio and Tenoch, two 17-year-old boys who find themselves beginning to flourish into adulthood. The two best friends spend their summer vacation heading out on a cross-country trip with each other, alongside an older woman whom they meet on the trip. Without the boys’ girlfriends around, the two live their lives as bachelors. Filled with sex, drug use, and plenty of joy in the road trip portion of the film, it’s the perfect time to catch up with Cuaron’s work prior to watching Roma on Netflix.

Before Moana, there was Lilo and Stitch, Disney’s other 2000s animated tale set in the Oceanic region. The sci-fi comedy follows Lilo, a young girl who lives with her older sister following the passing of her parents. Lilo’s sister agrees for her to adopt a dog, but instead, she ends up with an escaped alien creation, codenamed Experiment 626, who crash-landed on the planet after escaping from its captors. Under Lilo’s tutelage, Stitch must learn how to behave like a polite being on Earth, in order to escape both the watch of the government and the aliens who have come to get him back. Lilo and Stitch led to three direct-to-DVD sequels, a full series on Disney Channel, and plenty of merchandise still available today. The movie feels slight for how much it eventually led to, but it’s also the best of the entire media franchise.

One of the most underrated films of this decade, Edgar Wright’s (Hot Fuzz, Baby Driver) Scott Pilgrim vs. The World is a visual triumph, a funny and charming story that wears its heart on its sleeve. The film follows bass guitarist and 22-year-old Scott Pilgrim (Michael Cera, in a pitch-perfect casting), who is floundering in his adulthood without a job after being crushed by his ex-girlfriend. Now dating a high schooler, he seems content in just letting his life pass him by, when he runs into Ramona Flowers (Mary Elizabeth Winstead), a girl new to Toronto who seems to be, quite literally, the girl of Scott’s dreams. A visual triumph, pulling direct inspiration from video games, anime, and the graphic novel this series is based on, Scott Pilgrim vs. The World is a perfect action-comedy.

Orson Welles had no shortage of long-lost projects, including Don Quixote and The Merchant of Venice, among other projects. One of the most famous unfinished projects was The Other Side of the Wind, originally slated to come out in the 1970s after six years of starts and stops in production. The film acts as a parody of old Hollywood filmmaking and the New Hollywood style of the 70s, shot as a mockumentary and in black and white—both uncommon traits for that decade. After sitting on a shelf for over forty years, the film has arrived as a new project from Welles distributed by Netflix, and by all accounts, the long-lost project is an excellent final marking on the late director. The film, which follows a director returning to Hollywood from Europe to finish his comeback movie, is delightfully meta and well-worth a watch.

Director Todd Haynes brought the famous 1952 novel The Price of Salt to the big screen in 2015 with an adaptation in Carol, one of the most-acclaimed films of 2015. Featuring an all-star cast in Rooney Mara, Cate Blanchett, Sarah Paulson, Jake Lacy, and Kyle Chandler, the film follows Therese Belivet (Mara), a woman working at a Manhattan department store in the 1950s who spots Carol (Blanchett) looking at doll displays. The two woman quickly become friends, and more, with dangerous results that spawn as Carol’s ex-husband begins to spy and pry on the life of the two women.

One of Spielberg’s best films of the past decade, Lincoln is a brilliant epic historical drama, following President Abraham Lincoln (Daniel Day-Lewis) through the final four months of his life, including the end of the Civil War and his efforts to have the Thirteenth Amendment to the Constitution passed and ratified by Congress. The film is worth watching for plenty of reasons—the script by Tony Kushner, based on the book Team of Rivals; Spielberg’s direction; and the supporting cast, which include Tommy Lee Jones, Sally Field as Mary Todd, and Joseph Gordon-Levitt. The real reason to watch the film, however, is for Daniel Day-Lewis. His now-penultimate performance before retiring in 2017, Day-Lewis brings everything you could want as Lincoln to the table. The film earned Day-Lewis his third Best Actor award from the Oscars, making him the first actor to do so.

Steven Spielberg is, perhaps, one of the most famous filmmakers in the world, and though his resume isn’t perfect, no one has made as many incredible, jaw-dropping films as he has. From crafting the original blockbuster with Jaws to recreating dinosaurs with Jurassic Park, it’s obvious that the man has more movie magic in his body than any living director. Schindler’s List isn’t one of his feel-good films, but it is an incredible document to the life of Oskar Schindler, a German businessman and member of the Nazi party who is credited with saving the life of 1,200 Jewish men and women during the Holocaust by employing them. Liam Neeson portrays Schindler in a spellbinding performance, with Ben Kingsley, Ralph Fiennes, and Caroline Goodall all appearing in supporting roles. At 195 minutes, it’s one of the longest films on our list (beaten only by The Godfather Part II below), but it’s a must-see for any and all film completionists or historical buffs.

Most true crime documentaries revolve around murder or other similarly-grim crimes. In the truest sense of that definition of the genre, Fyre: The Greatest Party That Never Happened is not a true crime documentary. There’s no murder to solve, no kidnapping involved in the film. Yet from a certain sense, Fyre tells the story of a white collar crime often not shown in true crime documentaries. Following a scam-filled music festival that preyed on rich millennials on Instagram, the film follows the building of the Fyre Festival, from its induction to the nightmare of its downfall. It’s gained a ton of popularity on social media, and as a Netflix Original, you can catch it anytime streaming on Netflix.

A brand-new Netflix original film and a leading contender for the Best Picture nominations at the 2019 Oscars, Roma is Alfonso Cuaron’s first film since his 2013 acclaimed film Gravity. A semi-autobiographical film and Cuaron’s first Spanish-language film since Y Tu Mamá También in 2001, Roma follows the life of a live-in housekeeper to a middle-class family in 1970s Mexico City. With a cast of mostly-unknown and up and coming actors, Cuaron uses his experience as an acclaimed filmmaker to make his most personal film to date. The title comes from the Colonia Roma neighborhood of Mexico City where the film is set.

Directed by Ridley Scott, and released less than a year after Hannibal, Black Hawk Down tells the story of the 1993 raid in Mogadishu, aimed at capturing faction leader Mohamed Farrah Aidid. Based on the nonfiction book of the same name, the film follows US special forces sent into Somalia to bring food, resources, and humanitarian aid to the starving population, all while trying to destabilize the government to bring down the group. The troops use Black Hawk helicopters to lower the soldiers onto the ground, but an unexpected attack by Somalian fighters leave two helicopters down on the ground. From there, the US soldiers must struggle against the odds to survive in Somalia. Starring a A-list cast, Black Hawk Down won two Academy Awards and was a box office success.

The conclusion of the “Death trilogy,” Alejandro González Iñárritu’s collection of films from 2000 to 2006, Babel is an ensemble drama film starring, among many others, Brad Pitt, Cate Blanchett, Elle Fanning, Adriana Barraza, and many more. Edited into segments, the film focuses on four groups of characters, with events being revealed out of chronological order. The film focuses on a single accident that connects groups from across three different continents: two young Moroccan goatherds, a vacationing American couple, a deaf Japanese teen and her father, and a Mexican nanny who takes her young charges across a border without parental permission.

From director David Mackenzie (Starred Up, Outlaw King) directed this Best Picture-nominated film in 2016 with a script from Taylor Sheridan (Sicario, Wind River) follow two brothers who work together to try to save their family ranch from foreclosure. Toby and Tanner haven’t led perfect lives, but to accomplish their goal, they’ll have to turn to a life of crime in order to raise the necessary money through a series of heists. Their only problem is Marcus (Jeff Bridges), a Texas Ranger weeks away from retirement and paired with his soon-to-be replacement. As the two brothers plan out their final robbery, they’ll be forced to fight back against the law, who’s trying to take both brothers down as quickly as possible.

Quentin Tarantino’s classic postmodern film returned to Netflix at the very beginning of 2019, which means it’s time for a whole new generation of up and coming film scholars to experience the film that made Tarantino the massive giant in filmmaking he is today. The film is told out of chronological order, following several characters as each of their stories blend and fold into one another. These three stories include two hitmen, Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta), who work for their boss Marsellus; prizefighter Butch Coolidge, who is bribed by Marsellus to lose an upcoming fight, and a couple of small-time crooks named Ringo and Yolanda who hold up a diner at both the beginning and end of the film. Tarantino’s ninth film arrives in August of this year, making it the perfect time to revisit his all-time classic.

In Steven Spielberg’s classic throwback to serials of the 1930s and 1940s, Raiders of the Lost Ark (later known as Indiana Jones and the Raiders of the Lost Ark) introduced viewers to the now-famous professor-turned-archaeologist-turned-adventurer. All four Jones films are streaming on Netflix, but if you only choose one, the original still stands as one of the best adventure films of the last fifty years. Harrison Ford stars as Indiana Jones, who finds himself in over his head when he’s up against a group of Nazis trying to find the Ark of the Covenant, a religious relic said to contain supernatural powers. Alongside his ex-girlfriend Marion, Jones will have to try to reach the Covenant before the Nazis in order to ensure its power doesn’t fall into the hands of evil.

Following the conclusion of Monty Python’s Flying Circus, the group didn’t wait long to begin releasing theatrical films expanding on their now-legendary comedy chops. The first of three original films, Monty Python and the Holy Grail continues to be praised for being a groundbreaking film in the world of independent comedy. Though original reviews of the film were mixed upon release, the group’s loving parody of the legend of King Arthur has become beloved for its weird sense of humor, it’s ability to spin out of control at all times, the meta-awareness of the film, and its legendary ending. Though some viewers prefer the successor, Life of Brian, if you’ve never seen Holy Grail, now is the time to do it.

Often in contention for the best film directed and written by the Coen brothers, No Country for Old Men is a modern classic that is a must-see for fans of the directors or for fans of film. No Country for Old Men is set in Texas, 1980, following three men who are on the hunt for each other, each with different motives. When Llewelyn finds the remains of a shootout in the desert while hunting pronghorns, the trail of blood leads him to find a briefcase with two million dollars. He heads out on the run in an attempt to save the cash for him and his wife, only to find that a hitman named Anton Chigurh is hot on his trail. Following behind both men is Sheriff Ed Tom Bell, who wants to get to Llewelyn before Anton in order to save his life.

For much of the 2000s, Ben Affleck was seen as something of a Hollywood failure. Arriving on the scene at the same time as Matt Damon, the two careers spun in massively different directions, with Affleck starring in several poorly-received films including Daredevil, Gigli, and Paycheck. His career was perhaps saved by one film, Gone Baby Gone, a production where he stepped behind the camera to direct his younger brother Casey Affleck. Based on the novel of the same name by Dennis Lehane (Shutter Island, Mystic River), the film follows Casey Affleck and Michelle Monaghan as two private investigators hunting for a young girl who was abducted from a Boston neighborhood.

The newest film from legendary directing duo Joel and Ethan Coen, The Ballad of Buster Scruggs is in many ways both a return to form and a departure for the usual way the brothers make their films. Originally announced as a six-part miniseries for Netflix, the Coen brothers return to the western genre for the first time since True Grit to create an anthology film following six tales, all with similar themes of betrayal and death in the Old West. From the story of a singing, bloodthirsty Roy Rogers-type named Buster Scruggs to the tale of a young man with no arms or legs and his impresario friend, each of the six stories tells of tragedy from greed, lust, and murder.

The first film from renowned playwright Martin McDonagh, In Bruges is a black comedy crime film starring Colin Farrell, Brendan Gleeson, and Ralph Fiennes. Farrell plays a rookie hitman named Ray who, while carrying out orders to kill a priest, accidentally murders a young boy. Both Ray and Ken (Gleeson) are sent to Bruges by their employer Harry (Fiennes), and told to wait for further instructions. While Ken, a veteran hitman who had taken Ray under his wing, finds Bruges charming, Ray feels trapped by the smallness of the town, and finds himself growing restless. When Ken is given orders to kill Ray on account for the murder of a child, considered unforgivable by Harry, the three men will find themselves closer and closer to an all-out brawl as the task spirals out of control.

A brand-new Netflix original film, Dumplin’ was released at the tail end of 2018 quietly onto Netflix. Unlike a film like Bird Box, which saw massive promotion during the holidays, Dumplin’ went more unnoticed by fans, and it’s time to correct that. Based on a young adult novel of the same name, Dumplin’ follows a plus-size teenage daughter (Danielle Macdonald) whose mother is a former beauty queen (Jennifer Aniston). When she signs up for her mother’s pageant as a protest against the idea of mainstream beauty contests. When other contestants follow in her footsteps, however, things escalate quickly, leading to a full-on revolution of the pageant in Dumpin’s small Texas town.

Yorgos Lanthimos mastered the balance of absurdist humor and dystopian fiction in his 2015 film The Lobster, starring Colin Farrell and Rachel Weisz, after managing to grab the attention of critics and moviegoers alike with his 2010 film Dogtooth. The Lobster is set in a dystopian universe where single people are given just 45 days to find a romantic partner before being turned into animals. When David’s wife leaves him for another man, he attempts to form a relationship in his hotel to avoid being turned into a lobster, his animal of choice. At the hotel, he makes acquaintances who are also attempting to find love at the hotel, all while living in a society with byzantine rules. Anyone with a desert-dry sense of humor will enjoy this. 

In the summer of 2001, The Fast and the Furious seemed like a small film compared to the rest of that year’s lineup of blockbusters, including the already-released The Mummy Returns, Shrek, and A Knight’s Tale, with upcoming films like Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring just months away. Still, when The Fast and the Furious hit the big screen, it felt larger than life, and managed to become so successful that it created a mega-franchise to outlive almost every major franchise it had been released around. The first film follows Brian O’Connor, an LAPD detective who is assigned to go undercover to find a gang responsible for stealing a truckload of electronics the night before. While undercover, he meets Dom Toretto, a professional street racer who lives with his sister Mia and his girlfriend Letty. As Brian gets pulled into the world of illegal street racing, he risks getting too close to his suspects.

Directed by David Mackenzie (Hell or High Water), Outlaw King is a must-watch for any fans of Braveheart. Essentially taking place nearly directly after the conclusion of the 1990s Mel Gibson hit, the film follows Robert the Bruce (Chris Pine), as he, John Comyn, and other Scottish nobility surrender to the English outside of Stirling Castle. When King Edward I agrees to give the Scottish nobility their land back in exchange for homage, Bruce is wedded to the king’s granddaughter, Elizabeth de Burgh. Following years of unhappiness and unrest between the British and Scottish, however, Bruce is forced to lead another revolt—and pays dearly by being led into exile from England.

Once a critical and commercial flop, Wet Hot American Summer has undergone a transformation in the public eye since it premiered nearly two decades ago in 2001. Roger Ebert famously tore the film apart with a parody of “Hello Muddah, Hello Fadduh,” and audiences failed to show up at the theater. Slowly, however, the film began to grow an audience online, becoming a cult classic thanks to its irreverent humor and over-the-top ridiculous satire of the summer-camp comedies of the 1970s and 1980s. The cast here is stacked, including Paul Rudd, Amy Poehler, Bradley Cooper, Elizabeth Banks, Christopher Meloni, David Hyde Pierce, and so many other incredible, recognizable comedians and actors. In addition to the original film, two Netflix Original miniseries have been produced, including First Day of Camp and Ten Years Later, a prequel and sequel series respectively. As for the plot, the film is fairly bare: Wet Hot American Summer chronicles the last day of camp as the counselors try to have one final romantic encounter at camp.

Based on the novel of the same name, Nick and Norah’s Infinite Playlist is a 2008 romantic comedy-drama film set in the indie music scene of New York in the 2000s. The film begins with Nick (Michael Cera) dealing with the heartbreak of his ex-girlfriend Tris, whom he continues to make breakup mix CDs for despite the breakup happening more than three weeks ago. Tris, who attends a private Catholic school in Manhattan, throws these CDs in the trash—but not until they’re fished out of the trash by Tris’s classmate, Norah. When Nick’s band plays a club on the Lower East Side, Tris, Norah, and Caroline, the friend who holds them together. When Norah, trying to convince Tris she has a boyfriend, kisses an unexpecting Nick, the two end up on a wild adventure through New York hunting for their favorite mutual band, “Where’s Fluffy?”. The soundtrack features all of the 2000s indie rock you could ever hope for, from bands like Vampire Weekend, We Are Scientists, Band of Horses, and Modest Mouse.

As a series, Spy Kids has secretly has become a long-running franchise. Four films, all directed by Robert Rodriguez, along with two loosely-related adult-only spin-offs in Machete (yes, they’re the same character), and a Netflix Original animated series. What you may not know, however, is that within the fairly bloated series lies a stone-cold classic. Yep, Spy Kids 2: Island of Lost Dreams is the rare sequel that improves on the original tenfold. The film follows Carmen and Juni, now full members of the OSS, who arrive on a distant island filled with monsters causing mayhem. When they meet a mysterious scientist (Steve Buscemi, in an amazing performance), they’ll have to rely on their family members in order to defeat their rivals, Gary and Gerti Giggles, and the mastermind behind the scheme.

Beasts of No Nation is a Netflix Original directed by acclaimed filmmaker Cary Fukunaga, whose work on the first season of True Detective has been praised endlessly online. In his third feature-length film as director, Beasts of No Nation tells the story of a civil war in Africa, as a fierce warlord (Idris Elba) trains a young orphan named Agu (Abraham Attah) how to fight in order to join his group of guerrilla soldiers. The film is terrifyingly bleak, following Agu’s loss of innocence as his brother is taken from him. The film was praised by critics for its stark portrayals of the horrors of war, and though the film was ignored by the Oscars (largely thanks to their distaste for Netflix Original films), Idris Elba did receive a nomination at the Golden Globes for his role as the Commander. The next time you catch Fukunaga making a feature film, he’ll be behind the camera of Bond 25.

Stanley Kubrick didn’t stick to one genre with his films, jumping from hard science-fiction with 2001: A Space Odyssey to horror with The Shining and everything in between. His 1971 dystopian crime film A Clockwork Orange works as both an adaptation and a masterpiece in its own right, and you can catch it streaming on Netflix. The film follows Alex (Malcolm McDowell), the leader of a gang of “droogs” in England set sometime in the future, who spend nights getting high at a milkbar before spending their time engaging in “ultraviolence.” After he’s put in jail for murder, Alex undergoes a behavior modification program that leaves him brainwashed, weakened, and in danger of getting harmed by his former victims.

The stone-cold classic fantasy-martial arts film (known as wuxia in China), Crouching Tiger, Hidden Dragon was a rare foreign hit. Despite its reliance on subtitles and the appearance of its effects, the film was a massive hit worldwide, critically-acclaimed, and helped to pave the way for director Ang Lee to continue working for the next twenty years with a full blank check. The film stars Chow Yun-Fat as a Qing Dynasty warrior, who gives his sword to his lover (Michelle Yeoh) for safekeeping. When the sword, named Green Destiny, is stolen, things quickly spiral out of control. A sequel, made sixteen years later for Netflix, is also streaming, but we recommend you stick with the original while it’s on Netflix.

Yes, Tucker and Dale vs. Evil is a horror film, designed to be as bloody and graphic as possible. It’s also an incredibly funny film, a horror-comedy that’s just as focused on delivering frights as it is laughs. The film stars Alan Tudyk (Firefly, Rogue One: A Star Wars Story) and Tyler Labine (Reaper, Deadbeat) as two well-meaning hillbillies who purchased a lakefront cabin together in the woods. At a gas station outside of camp, the two run into several college students going camping for the weekend. Tucker (Tudyk) pushes Dale (Labine) to talk to Allison, one of the main girls, but ends up simply frightening her instead. While Tucker and Dale work on reconstructing their cabin, the nearby campers go skinny-dipping together, only for Allison to hit her head and be saved by Dale. While she’s recuperating with Tucker and Dale, the rest of the college students trick themselves into believing that she’s been kidnapped, and attempt to rescue her—only for everything to go wrong.

Directed by Ruben Fleischer (Gangster Squad, Venom), Zombieland is nothing if not a surprise hit. Released in October of 2009 and made on a fairly-small budget of just $24 million, Zombieland impressed critics and made by more than four times its budget at the box office, all while building a massive following of people impressed with the film. The film follows a anxious college student named Columbus (Jesse Eisenberg) making his way through the zombie apocalypse, meeting three strangers (Emma Stone, Woody Harrelson, and Abigail Breslin) along the way and together taking an extended road trip across the Southwestern United States in an attempt to find a sanctuary free from zombies. A sequel, Zombieland: Double Tap, arrives this fall.

Directed by acclaimed South Korean film director Bong Joon-ho (Okja, The Host), Snowpiercer is a 2013 action film starring Chris Evans and Tilda Swinton. The film follows Curtis (Evans), a passenger aboard the Snowpiercer, a train riding throughout the now-frozen globe eternally. Curtis is pushed to his breaking point, and he, along with the others in the back of the train, plan a revolution to take out both Minister Mason (Tilda Swinton) and Wilford (Ed Harris), the inventor of the train. The film’s action is well-shot, and the class messaging is strong and delivers on clear themes. Of course, the real stars of the show here are both Evans and Swinton, who are at their best in their respective roles.

From horror mastermind Wes Craven, Scream is one of the best slasher films of the 1990s, telling a meta-narrative on scary movies while also delivering a frightfully good time. The film follows Sidney Prescott (Neve Campbell) and her group of friends as they try to avoid getting murdered by a ghastly serial killer in their small town. As suspicion rises, Sidney begins to doubt her boyfriend’s (Skeet Ulrich) alibis. Meanwhile, a nerdy student named Randy (Jamie Kennedy) explains the rules of slasher movies in an attempt to save his friends: don’t lose your virginity, don’t use drugs or alcohol, and most importantly, never leave a room alone. Scream spawned three sequels and a spin-off television series, along with millions of trick-or-treaters their Halloween costumes over the last 22 years.

What can be said about The Dark Knight that hasn’t already been said? 2008 saw two superhero films released that changed the entire genre for the next decade, and while Iron Man perhaps had a bigger power in the role of film today, setting the standard for the Marvel Cinematic Universe and leading to what may be the biggest franchise of all time, The Dark Knight was the first superhero film that saw filmgoers and critics reevaluate how superhero films can rise above the limits of the genre to be good films in and of themselves. Directed by Christopher Nolan, the second film in the Dark Knight trilogy picks up where Batman Begins left off. With a new villain in town calling himself the Joker, Bruce Wayne will have to once again put on his mask to battle against a new league of criminals seemingly set on throwing the entire city of Gotham into chaos.

The film that pushed Brian De Palma into the mainstream, Carrie is a 1976 horror classic, the perfect film for Halloween or any time of year. Based on the Stephen King novel of the same name (the first he ever published), the film is considered one of De Palma’s best, and one of the best adaptations of King’s work put on screen. The film stars Sissy Spacek as the titular character, a bullied and unpopular high school student who, unfortunately, experiences her first period while showering after gym. Panicked and unaware of what’s happening, the other girls bully and taunt her as she begs for help; when Carrie reaches the height of her frustration, a light bulb shatters above her. As Carrie continues to get bullied by both her classmates and her religious, abusive mother, she slowly learns that she may have a secret power no one understands.

A film that, at that time, seemed to represent a far-off satire of a culture yet to develop, Sidney Lumet’s Network was prescient of the last thirty years of American culture. The film follows veteran news anchorman Howard Beale (Peter Finch), who discovers he’s being forced out of reporting to be replaced with someone younger. After threatening to shoot himself on live television, he instead launches into an angry televised rant, granting a major ratings boost for the UBS network. This stunt allows ambitious producer Diana Christensen (Faye Dunaway) to develop even more outrageous programming, a concept that she takes to unsettling extremes. The film won four Academy Awards, and stands today as one of the best films of the 1970s.

The second film directed by George Clooney, Good Night and Good Luck follows Edward R. Murrow (David Strathairn) , a reporter for CBS News’ See It Now during the 1950s, who dedicates himself to exposing the atrocities being committed by Senator Joseph McCarthy’s campaign to root out communists in America. Supported by a news team that includes Fred Friendly, Murror’s long-time friend and producer, and Joseph Wershba (Robert Downey Jr.), a fellow correspondent. The CBS team does its best to point out the senator’s lies and excesses, despite pressure from CBS’ corporate sponsors to desist. Acclaimed at release in 2005, the film is notable for test audiences reacting poorly to the actor portraying McCarthy, complaining that he was too over the top while not realizing that McCarthy only appears in the film using archived footage of himself.

Taxi Driver is a landmark film for a dozen or more reasons. It’s one of the best of Martin Scorsese’s storied career; it features Robert De Niro in one of his best roles of his life; the supporting cast is absolutely stacked, including Harvey Keitel, Albert Brooks, Cybil Shepard, and Peter Boyle; and the film established Jodie Foster as a child prodigy in Hollywood. The film follows a loner veteran, Travis Bickle, who was dishonorably discharged from the military following the Vietnam War, as he lives in a decaying and morally bankrupt New York City. Bickle picks up work as a taxi driver, working through the night as he struggles with insomnia. Slowly descending into insanity, Bickle plots to assassinate both a presidential candidate and the pimp of an underage prostitute he befriends at night.

Following Jonathan Demme’s award-winning and critically-acclaimed The Silence of the Lambs, the director took on a new project with an entire new genre: a legal drama. The film was one of the first mainstream Hollywood productions to finally acknowledge the AIDS crisis in America, along with themes of homosexuality and homophobia, and for that, the film attracted a ton of positive reception. Philadelphia follows Andrew Beckett (Tom Hanks) a lawyer who hides his homosexuality and HIV status while working at a powerful law firm in the titular city. When a colleague spots the illness’s telltale lesions on his hand, Beckett is fired from his job, and resolves to sue for discrimination. To do this, he teams up with Joe Miller (Denzel Washington), the only lawyer willing to help Andy through his case. On his ex-employer’s side, Beckett faces one of his former company’s top litigators, Belinda Conine (Mary Steenburgen).

Often considered one of the best comedies of all time, Caddyshack is an ensemble romp from Harold Ramis guaranteed to make you laugh til you cry. A classic snobs vs. slobs movie crossed with a golf-focused comedy, Caddyshack follows Danny Noonan (Michael O’Keefe), a down on his luck teenager who gets a job as a caddy at the Bushwood Country Club to raise money for his college tuition. In an attempt to gain votes for a college scholarship reserved for caddies, Noonan volunteers to work for a prominent and influential but nevertheless stodgy member, Judge Elihu Smails (Ted Knight). Meanwhile, Danny also struggles to prepare for the high pressure Caddy Day golf tournament, while wealthy golf guru Ty Webb (Chevy Chase) deals out some New Age advice. Bill Murray and Rodney Dangerfield round out the cast.

The film that shot David O’Russell to stardom as a Hollywood director, The Fighter is a crowd-pleasing true story. For Micky Ward (Mark Wahlberg), boxing is a family affair. His tough-as-nails mother is his manager. His half-brother, Dicky (Christian Bale), once a promising boxer himself, is his very unreliable trainer. Despite Micky’s hard work, he is losing and, when the latest fight nearly kills him, he follows his girlfriend’s advice and splits from the family. Then Micky becomes a contender for the world title and he — and his family — earns a shot at redemption.

Paul Thomas Anderson is one of the premiere filmmakers of the 1990s, 2000s, and 2010s, with each of his films acclaimed to some extent. From epics like Magnolia or There Will Be Blood to critical darlings like Boogie Nights and Phantom Thread, Anderson has surprised and delighted at every turn. The Master, his 2012 film starring Philip Seymour Hoffman and Joaquin Phoenix. Freddie Quell (Joaquin Phoenix) is a troubled, boozy drifter struggling with the trauma of World War II and whatever inner demons ruled his life before that. On a fateful night in 1950, Freddie boards a passing boat and meets Lancaster Dodd (Philip Seymour Hoffman), the charismatic leader of a religious movement called the Cause. Freddie tries hard to adhere to Dodd’s weird teachings and forms a close bond with his mentor, even as other members of Dodd’s inner circle see him as a threat.