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It’s Friday night, but the weather’s bad and you refuse to leave your home. A couple of friends have come over to hang out and watch a movie, but your DVD collection is looking pretty sparse for new releases. You could watch You’ve Got Mail again for the dozenth time, but you really want to see something new that will hit hard, make you laugh, or stay in your mind for days. The last video store in your town closed down years ago, and rentals on iTunes are just too expensive to justify the purchase. Flipping your television over to Netflix is not just the best idea, it’s an obvious one. But as you scroll through your queue and your suggested recommendations, one thing becomes apparent: you have no idea which film to pick.
Netflix is overrun with television shows, but that doesn’t mean the service has lost out on some great films. It can actually be pretty tough to find classic films on the service among all the Netflix original shows now streaming on the platform, so we’ve done the hard work for you. We’ve rounded up fifty of the best films streaming on Netflix right now, so that you can skip the endless browsing and scrolling through films on your television and just get to watching the movie. We’ll update this list every month with new recommendations, and we’ll always make sure that the films listed here haven’t been taken off of Netflix’s offerings, so whether it’s a film you’ve never seen or a classic you want to revisit, you’ll always be ready to stream a great film.
So throw the popcorn in the microwave, kick your feet up, and relax with one of these incredible films. These are the top one hundred movies streaming on Netflix right now, in no particular order.
By Karyn Kusama
Mysteries and thrillers are perfect for dark and stormy nights, and The Invitation might be the ideal film to chill you to your core. The film stars Logan Marshall-Green as Will, a divorcee who drive his girlfriend Kira to a dinner party hosted by his ex-wife at his old house in the Hollywood Hills. Will’s ex, Eden, alongside her new husband David, welcomes Will and Kira to the party, though immediately, something feels wrong. As Will continues to deal with the grief of his deceased son (the reason Eden and him split up), he begins to feel like something is wrong with his ex-wife and her husband’s motivations. The tale is dark and grim, and as the night advances, you’ll begin to put the pieces together in this thrilling tale of mystery and murder.
By Dan Gilroy
In the directorial debut of screenwriter Dan Gilroy, Nightcrawler stars Jake Gyllenhaal as Louis Bloom, a stringer who records violent events in Los Angeles at night and sells them to local news networks to make a quick buck in the process. When he catches the eye of a news director who welcomes the chance to raise her station’s ratings, Louis begins going to increasingly greater lengths to catch criminal activity on camera, going as far to instigate and provoke the very same criminal activity he’s trying to film. Acclaimed for its screenplay and for Gyllenhaal’s performance, Nightcrawler is considered one of the best films of 2014 and a must-see for anyone interested in dirty, underground journalism.
By Tom McCarthy
Winner of the 2016 Oscar for Best Picture, Tom McCarthy’s Spotlight tells the story of a team of journalists at the Boston Globe in the early 2000s, nicknamed “Spotlight,” who come together to investigate cases of systemic and widespread child sex abuse by the Roman Catholic church in the Boston area. The film is, of course, based on the true story of the Spotlight team, and features an ensemble cast, including Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Brian d’Arcy James, Stanley Tucci, and Billy Crudup. The film was critically acclaimed and is considered one of the best dramas of the 2000s.
By Jeremy Saulnier
In this new Netflix Original film, director Jeremy Saulnier (Blue Ruin, Green Room) follows a wolf expert named Russell Core (Jeffrey Wright), who is called to a village in Alaska to help hunt down wolves seemingly responsible for the deaths of three small children. When he arrives in Alaska, he meets with Medora Slone (Riley Keough), whose son was the third child to go missing. He learns that he husband, Vernon (Alexander Skarsgard, It), is away on military leave, while the father of the second child taken, she informs him, will not be speaking to Russell. As things begin to grow darker, Russell will have to hurry to figure out the mystery behind the disappearance of children, all while risking his own life in the process.
By Susan Johnson
Based on the book of the same name, To All the Boys I’ve Loved Before follows Lara-Jean, a half-Asian, half-Caucasian 16-year-old high school student who begins her first year of high school without her older, now-graduated sister, Margot. Lara-Jean has never had a boyfriend, but has had multiple crushes, including on her sister’s now-ex-boyfriend Josh and the popular boy at school, Peter. She keeps a series of five letters to her former crushes in her room, a method that allows her to clear out her love of these boys without having to worry about keeping her feelings bottled up. When her younger sister mails the letters, she’s forced to reconcile with her feelings now being out in the open.
By Ava DuVernay
This documentary from filmmaker Ava DuVernay promises to explore “the intersection of race, justice and mass incarceration in the United States,” and it sticks the landing. Taking its name from the 13th amendment, which freed the slaves in the United States and prohibited slavery unless as punishment for a crime, the film takes a long, hard look at how the prison system in the United States was built to continue the idea of slavery through the enablement of white police officers to more easily arrest black persons in the USA to force them to work under convict leasing. The result is a chilling documentary that covers Jim Crow laws, the suppression of African Americans by disenfranchisement, and the war on drugs created to target minority communities. The film won an Emmy, and was nominated for an Oscar for Best Documentary.
By Gavin O'Connor
A quintessential entry in the catalogue of great American sports movies, Miracle tells the story of the 1980 United States Olympic hockey team, from their formation through their training and, eventually, their victory against the Russian hockey team at the height of the Cold War. The story begins when University of Minnesota head coach Herb Brooks (Kurt Russell) meets with the US Olympic Committee to discuss strategies for winning the 1980 Olympics. Brooks pitches the group on picking amateur players as opposed to pro-level athletes, leading to doubts that the American team will make it far in their quest for gold medals in any way. Even if you know the story, Miracle is a worthy retelling, an entertaining and fascinating story of training hard for the things you want and for sticking with the ideas you believe in.
By Noah Baumbach
Our second Noah Baumbach tale is also his newest film, and a Netflix original. The Meyerowitz Stories (New and Selected) tells the story of three children: Danny, Matthew, and Jean Meyerowitz, played here by Adam Sandler, Ben Stiller, and Elizabeth Marvel, respectively. Danny and Jean are siblings, with Matthew as their half-brother, all tied together by their rocky relationship with their father Harold (Dustin Hoffman). Though the three children are relatively estranged from each other, their father’s upcoming career retrospective brings all three to New York City to reunite, bicker, and deal with their life’s problems. Despite the prominence of Sandler and Stiller, don’t expect this to be a laugh-riot; like Baumbach’s other tales, this is drama first, comedy second, though critics have praised Sandler’s dramatic turn here as his best since Punch Drunk Love.
By Wilson Yip
Set in 1930s Foshan, Ip Man begins as the town is known as a popular hub for learning Southern Chinese Martial Arts, with numerous schools that often compete against one another. The film follows the titular Ip Man (Donnie Yen, Rogue One: A Star Wars Story), a Wing Chun master whose wealth and skills have led him to keep a low profile, choosing to avoid working within the schools as a teacher and instead focusing on his training. This changes with the 1937 Japanese invasion, which cause Ip Man to lose his house and his wealth, forcing him into a rundown apartment and into working within coal mines. When Ip’s friend Lin fails to return from a fight, Ip begins a quest to destroy the Japanese army at any cost, even if it destroys himself in the process. The film is loosely based on the real life of Ip Man, the Wing Chun grandmaster and the man who trained Bruce Lee.
By Richard Curtis
Directed and written by Richard Curtis (Love Actually, Four Weddings and a Funeral), About Time is a romantic-comedy tinged with science-fiction elements, weaving together a charming story that delivers a great love story and a father/son tale. When Tim Lake (Domhnall Gleeson) is 21, his father (Bill Nighy) tells him a secret: The men in their family can travel through time. Although he can’t change history, Tim resolves to improve his life by getting a girlfriend. He meets Mary (Rachel McAdams), falls in love and finally wins her heart via time-travel and a little cunning. However, as his unusual life progresses, Tim finds that his special ability can’t shield him and those he loves from the problems of ordinary life.
By Dee Rees
A recent Netflix Original film, Mudbound tells the story of two World War II veterans living in rural Mississippi following the conclusion of the war. The film begins when Henry McAllen (Jason Clarke) and his wife Laura (Carey Mulligan) purchase a farm alongside Henry’s brother Jamie and their father, Pappy (Jonathan Banks, Breaking Bad and Better Call Saul). The Jackson family, led by Ronsel Jackson (Jason Mitchell) works the farm for the McAllens, until Ronsel and Jamie are pulled away to fight in the war. Upon returning, Jamie deals with PTSD and alcoholism, while Ronsel deals with readjusting to southern racism following his life in Europe. As Ronsel and Jamie begin to strike up a friendship, despite the objections of Pappy, the struggle to readjust to American life threatens to break apart both families. Mudbound is the first Netflix film nominated at the Academy Awards, up for eight awards at the 2018 Oscars.
By Tamara Jenkins
The most underrated Netflix Original of 2018, Private Life is the heartbreaking tale of Richard and Rachel (Paul Giamatti and Kathryn Hahn, respectively), a middle-aged couple desperately trying to have a child together. After multiple failed attempts at artificial insemination, they learn that Richard has a blockage preventing him from producing sperm, forcing him to undergo a surgery that puts him $10,000 in debt to his brother Charlie. While this is happening, the couple also learn that the child they were looking to adopt, after being matched with a pregnant teenager from Little Rock who was looking to give up her child has stopped contacting them. The film, the third feature by director Tamara Jenkins (The Savages, Slums of Beverly Hills) was critically-acclaimed upon its release.
By Bong Joon Ho
Okja is another Netflix-exclusive film, and the second English-language film made by Bong Joon-ho, the director of South Korean films The Host, Mother (neither of which should be confused with the American films of the same name), and Snowpiercer. Like Snowpiercer, Okja is an action-adventure film that uses its plot as a major metaphor for a real-life lesson, this time concerning factory-farming and the concept of environmentalism. The film may not be subtle with its messaging, but that doesn’t stop it from being an excellent, spellbinding, and infinitely sad tale. The main character is played here by South Korean actress Ahn Seo-hyun, but don’t think you won’t see some recognizable faces. Tilda Swinton, Paul Dano, Lily Collins, Giancarlo Esposito, and Jake Gyllenhaal all turn up here among their South Korean counterparts.
By Géla Babluani
Quentin Tarantino’s eighth and most recent film, The Hateful Eight is a full-blown western from the legendary director, set in the post-Civil War era of the United States during a harsh blizzard outside Red Rock, Wyoming. Major Marquis Warren (Samuel L. Jackson), a bounty hunter, is transporting three dead fugitives to the town of Red Rock when he catches a ride to town from John Ruth (Kurt Russell), a similar bounty hunter bringing in Daisy Domergue (Jennifer Jason Leigh). When the trio gets stuck in a blizzard, they make a beeline for Minnie’s Haberdashery, a stagecoach lodge, where they meet the other people staying at the house through the blizzard. While hostilities rise between the group, Daisy sees someone poison the coffee, leading to the death of two more characters. As a murder mystery begins to rise, the only question that remains is simple: is it more dangerous in the blizzard, or in Minnie’s Haberdashery? The film was also recently recut by Tarantino and his editor into a four-episode miniseries exclusive to Netflix, featuring all-new footage.
By Edgar Wright
One of the most underrated films of this decade, Edgar Wright’s (Hot Fuzz, Baby Driver) Scott Pilgrim vs. The World is a visual triumph, a funny and charming story that wears its heart on its sleeve. The film follows bass guitarist and 22-year-old Scott Pilgrim (Michael Cera, in a pitch-perfect casting), who is floundering in his adulthood without a job after being crushed by his ex-girlfriend. Now dating a high schooler, he seems content in just letting his life pass him by, when he runs into Ramona Flowers (Mary Elizabeth Winstead), a girl new to Toronto who seems to be, quite literally, the girl of Scott’s dreams. A visual triumph, pulling direct inspiration from video games, anime, and the graphic novel this series is based on, Scott Pilgrim vs. The World is a perfect action-comedy.
By Orson Welles
Orson Welles had no shortage of long-lost projects, including Don Quixote and The Merchant of Venice, among other projects. One of the most famous unfinished projects was The Other Side of the Wind, originally slated to come out in the 1970s after six years of starts and stops in production. The film acts as a parody of old Hollywood filmmaking and the New Hollywood style of the 70s, shot as a mockumentary and in black and white—both uncommon traits for that decade. After sitting on a shelf for over forty years, the film has arrived as a new project from Welles distributed by Netflix, and by all accounts, the long-lost project is an excellent final marking on the late director. The film, which follows a director returning to Hollywood from Europe to finish his comeback movie, is delightfully meta and well-worth a watch.
By Alfonso Cuarón
A brand-new Netflix original film and a leading contender for the Best Picture nominations at the 2019 Oscars, Roma is Alfonso Cuaron’s first film since his 2013 acclaimed film Gravity. A semi-autobiographical film and Cuaron’s first Spanish-language film since Y Tu Mamá También in 2001, Roma follows the life of a live-in housekeeper to a middle-class family in 1970s Mexico City. With a cast of mostly-unknown and up and coming actors, Cuaron uses his experience as an acclaimed filmmaker to make his most personal film to date. The title comes from the Colonia Roma neighborhood of Mexico City where the film is set.
Following the conclusion of Monty Python’s Flying Circus, the group didn’t wait long to begin releasing theatrical films expanding on their now-legendary comedy chops. The first of three original films, Monty Python and the Holy Grail continues to be praised for being a groundbreaking film in the world of independent comedy. Though original reviews of the film were mixed upon release, the group’s loving parody of the legend of King Arthur has become beloved for its weird sense of humor, it’s ability to spin out of control at all times, the meta-awareness of the film, and its legendary ending. Though some viewers prefer the successor, Life of Brian, if you’ve never seen Holy Grail, now is the time to do it.
By Todd Haynes
Director Todd Haynes brought the famous 1952 novel The Price of Salt to the big screen in 2015 with an adaptation in Carol, one of the most-acclaimed films of 2015. Featuring an all-star cast in Rooney Mara, Cate Blanchett, Sarah Paulson, Jake Lacy, and Kyle Chandler, the film follows Therese Belivet (Mara), a woman working at a Manhattan department store in the 1950s who spots Carol (Blanchett) looking at doll displays. The two women quickly become friends, and more, with dangerous results that spawn as Carol’s ex-husband begins to spy and pry on the life of the two women.
The newest film from legendary directing duo Joel and Ethan Coen, The Ballad of Buster Scruggs is in many ways both a return to form and a departure for the usual way the brothers make their films. Originally announced as a six-part miniseries for Netflix, the Coen brothers return to the western genre for the first time since True Grit to create an anthology film following six tales, all with similar themes of betrayal and death in the Old West. From the story of a singing, bloodthirsty Roy Rogers-type named Buster Scruggs to the tale of a young man with no arms or legs and his impresario friend, each of the six stories tells of tragedy from greed, lust, and murder.
By Anne Fletcher
A brand-new Netflix original film, Dumplin’ was released at the tail end of 2018 quietly onto Netflix. Unlike a film like Bird Box, which saw massive promotion during the holidays, Dumplin’ went more unnoticed by fans, and it’s time to correct that. Based on a young adult novel of the same name, Dumplin’ follows a plus-size teenage daughter (Danielle Macdonald) whose mother is a former beauty queen (Jennifer Aniston). When she signs up for her mother’s pageant as a protest against the idea of mainstream beauty contests. When other contestants follow in her footsteps, however, things escalate quickly, leading to a full-on revolution of the pageant in Dumpin’s small Texas town.
By Tom Hooper
Tom Hooper has earned a pretty mixed reception throughout his filmography. The King’s Speech managed to win Best Picture at the Oscars just nine years before Cats “swept” the Razzies, winning six awards out of nine nominations, including Worst Picture and Worst Director. In terms of his output, Les Misérables is one of Hooper’s better films, and certainly his best musical. Adapted from the classic musical of the same name (itself adapted from the French novel), the film follows Jean Valjean (Hugh Jackman), a prisoner in early 19th century France who is hunted for decades by Javert (Russell Crowe) after breaking his parole. The film was nominated for eight Oscars, and managed to earn Anne Hathaway her first for Best Supporting Actress.
By Armando Iannucci
Armando Iannucci is no stranger to political black comedy: his landmark British comedy series The Thick of It didn’t just bring In the Loop into existence—it was also developed by Iannucci himself into Veep in the United States. And while the director might focus primarily on television, 2017’s The Death of Stalin shows that the filmmaker continues to be a strong voice in feature films. The film presents a fictionalized account of the power struggle that took place in Russia following the death of Joseph Stalin in 1953. With an all-star cast including Steve Buscemi, Paddy Considine, Rupert Friend, Jason Isaacs, Michael Palin, Paul Whitehouse, and Jeffrey Tambor, The Death of Stalin is Iannucci’s grimmest film yet.
By David Mackenzie
Directed by David Mackenzie (Hell or High Water), Outlaw King is a must-watch for any fans of Braveheart. Essentially taking place nearly directly after the conclusion of the 1990s Mel Gibson hit, the film follows Robert the Bruce (Chris Pine), as he, John Comyn, and other Scottish nobility surrender to the English outside of Stirling Castle. When King Edward I agrees to give the Scottish nobility their land back in exchange for homage, Bruce is wedded to the king’s granddaughter, Elizabeth de Burgh. Following years of unhappiness and unrest between the British and Scottish, however, Bruce is forced to lead another revolt—and pays dearly by being led into exile from England.
By Jérémy Clapin
One of the most inventive animated films of the last decade, I Lost My Body is an acclaimed French-language fantasy film that managed to score a nomination for Best Animated Feature Film at the 2020 Academy Awards. The film follows a hand cut off from its body, that manages to escape from a dissection lab with a single goal: get back to the body to which it was previously attached. As the hand scrambles throughout the streets of Paris, it flashes back to the life it has with the young man it was once attached to, until the man met Gabrielle. The film wasn’t just critically acclaimed, but it also managed to win the Nespresso Grand Prize from the 2019 Cannes festival.
By Cary Joji Fukunaga
Beasts of No Nation is a Netflix Original directed by acclaimed filmmaker Cary Fukunaga, whose work on the first season of True Detective has been praised endlessly online. In his third feature-length film as director, Beasts of No Nation tells the story of a civil war in Africa, as a fierce warlord (Idris Elba) trains a young orphan named Agu (Abraham Attah) how to fight in order to join his group of guerrilla soldiers. The film is terrifyingly bleak, following Agu’s loss of innocence as his brother is taken from him. The film was praised by critics for its stark portrayals of the horrors of war, and though the film was ignored by the Oscars (largely thanks to their distaste for Netflix Original films), Idris Elba did receive a nomination at the Golden Globes for his role as the Commander. The next time you catch Fukunaga making a feature film, he’ll be behind the camera of Bond 25.
By Nora Ephron
Nora Ephron was one of the most important women working in the film industry while she was alive, writing one of the best romantic comedies of all time in When Harry Met Sally and following that film up with her own rom-coms in Sleepless in Seattle and You’ve Got Mail. Julie and Julia marks her final film before her death, and it’s a great tale for anyone looking for a heartwarming film on Netflix. Frustrated with a soul-killing job, New Yorker Julie Powell (Amy Adams) embarks on a daring project: she vows to prepare all 524 recipes in Julia Childs’ landmark cookbook, “Mastering the Art of French Cooking.” Intertwined with Julie’s story is the true tale of how Julia Child (Meryl Streep) herself conquered French cuisine with passion, fearlessness, and plenty of butter.
By Bong Joon Ho
Directed by acclaimed South Korean film director Bong Joon-ho (Okja, Parasite), Snowpiercer is a 2013 action film starring Chris Evans and Tilda Swinton. The film follows Curtis (Evans), a passenger aboard the Snowpiercer, a train riding throughout the now-frozen globe eternally. Curtis is pushed to his breaking point, and he, along with the others in the back of the train, plan a revolution to take out both Minister Mason (Tilda Swinton) and Wilford (Ed Harris), the inventor of the train. The film’s action is well-shot, and the class messaging is strong and delivers on clear themes. Of course, the real stars of the show here are both Evans and Swinton, who are at their best in their respective roles.
By Stanley Kubrick
Stanley Kubrick didn’t stick to one genre with his films, jumping from hard science-fiction with 2001: A Space Odyssey to horror with The Shining and everything in between. His 1971 dystopian crime film A Clockwork Orange works as both an adaptation and a masterpiece in its own right, and you can catch it streaming on Netflix. The film follows Alex (Malcolm McDowell), the leader of a gang of “droogs” in England set sometime in the future, who spend nights getting high at a milkbar before spending their time engaging in “ultraviolence.” After he’s put in jail for murder, Alex undergoes a behavior modification program that leaves him brainwashed, weakened, and in danger of getting harmed by his former victims.
By Ryan Coogler
If you’re a fan of Michael B. Jordan’s high-profile outings with filmmaker Ryan Coogler (Creed, Black Panther), you need to see where their creative partnership began. Fruitvale Station follows Oscar Grant (Jordan), a 22-year-old fresh out of San Quentin who experiences the last day of his life. As Oscar tries to piece his life back together, he’ll deal with his girlfriend (Melonie Diaz) and young daughter (Ariana Neal), struggle to get his job back, and find himself the target of BART police. Based on the tragic real-life story of Oscar Grant III, Fruitvale Station doesn’t hide the story it’s telling you—and manages to crush you regardless.
By Christopher Nolan
One of the most inventive and creative blockbusters of the 2010s, Inception was director Christopher Nolan’s follow-up to The Dark Knight, as he cashed in the check from one of the most critically acclaimed superhero films ever made to make an insane big-budget thriller. The film follows Dom Cobb (Leonardo DiCaprio), a thief who can enter the dreams of his marks in order to steal secrets from their subconscious. Though his skill has made him popular in the world of corporate espionage, it has cost him his family and his access to the United States. Cobb gets a chance at redemption when he is offered a seemingly impossible task: instead of stealing a secret, he has to plant an idea, making it seem as though the mark had it on their own. If he succeeds, he’ll be allowed to return to his home, but the memory of Cobb’s late wife threatens to destroy the mission.
By Mike Mills
From acclaimed director Mike Mills (Beginners), 20th Century Women tells the story of Jamie, a semi-autobiographical character based on Mills’ own childhood experiences with his mother. The film is set in 1979 Santa Barbara, California and follows Jamie(Lucas Jade Zumann), his mother Dorothea, and two younger women who exist in Jamie’s life—Abbie (Greta Gerwig), a free-spirited punk artist living as a boarder in the Fields’ home, and Julie (Elle Fanning), a savvy a provocative teenage neighbor who often shares a bed with Jamie. When Dorothea feels as though she can no longer connect with her now-teenage son, she asks both Abbie and Julie to help raise her son with her. Also on-board is another tenant in Dorothea’s household, William (Billy Crudup), a handyman who once lived on a commune. Following Beginners, which also told the semi-autobiographical story of Mills’ father coming out of the closet in his mid-70s, 20th Century Women is a great pairing and, arguably, an even better film.
By Danny Boyle
When Steve Jobs passed away in 2011, the race was on to release a film based on Walter Isaacson’s acclaimed biography. Four years later, with a script from Aaron Sorkin (The Social Network) and direction from Danny Boyle (Trainspotting), Steve Jobs was released into theaters. And although the film was ignored by audiences, the film received critical acclaim, thanks in part due to Sorkin’s script and Michael Fassbender’s performance as Jobs. The film is set over fourteen years, set prior to three different keynotes held by Jobs, as he deals with personal issues related to his ex-girlfriend Chrisann Brennan and their daughter Lisa. The film also stars Seth Rogen as Steve Wozniak and Kate Winslet as Joanna Hoffman.
By Stephen Chbosky
One of the few film adaptations of a novel to be directed by the author, The Perks of Being a Wallflower is one of the best coming-of-age films ever made. The film follows Charlie (Logan Lerman), a socially awkward teen who has recently begun his freshman year of high school after being discharged from a mental health care institution. When he grabs the attention of Sam (Emma Watson), a free-spirited senior, and her stepbrother Patrick (Ezra Miller), the two help Charlie discover the joys of friendship, first love, music and more, all while Charlie’s English teacher (Paul Rudd) inspires the young student to become a writer. However, as Charlie’s friends begin to prepare to leave for college, his depression threatens to shatter his newfound confidence.
By Barry Jenkins
The surprise Best Picture winner for 2016, Moonlight is a film to be seen. The second film from director Barry Jenkins after 2008’s Medicine for Melancholy, Moonlight is based on the unpublished, semi-autobiographical play In Moonlight Black Boys Look Blue. The film follows Chiron Harris over three periods in his life—childhood, teenagehood, and adulthood, as he grapples with poverty, his mother’s drug abuse, and his own sexuality while growing up in Miami. Moonlight is a tough watch, but features acclaimed performances from Naomie Harris, Janelle Monae, Mahershala Ali, and the three actors playing Chiron over the three periods: Alex Hibbert, Ashton Sanders, and Trevante Rhodes, along with excellent cinematography from James Laxton and direction from Jenkins.
By Lee Chang-dong
One of the best films of 2018, Burning is a South Korean psychological drama mystery adapted from “Barn Burning,” the short story by famed Japanese writer Haruki Murakami. Burning follows Lee Jong-soo, a young man working to perform odd jobs in order to make money in Paju. While working, he runs into Shin Hae-mi, a girl who used to live in his neighborhood when they were children. The two develop a connection, and Hae-mi asks Jong-soo to watch her cat while she’s out of town. When she returns from a trip to Africa, she introduces him to Ben (Steven Yeun, The Walking Dead), a man she met while on vacation. Ben seems like an average playboy at first, but slowly, a darker, mysterious nature reveals itself.
By Noah Baumbach
We’ve highlighted a couple of films by Noah Baumbach on this list, and as one of our favorite filmmakers working today, we’re eagerly awaiting his next film, Marriage Story, which focuses on a crumbling marriage on the brink of a divorce. Baumbach is no stranger to tackling divorce in his films, however, and in 2005, he released The Squid and the Whale, a semi-autobiographical film that tracks the divorce of Bernard (Jeff Daniels) and Joan (Laura Linney) through the eyes of their two children, Walt (Jesse Eisenberg) and Frank (Owen Kline). While Walt finds himself acting out at school and attracted to his dad’s new fling, younger brother Frank takes his mother’s side, as she begins seeing his tennis coach (William Baldwin). If you’re waiting for Baumbach’s newest take on how divorce can affect us all, it’s well worth revisiting his 2005 classic—it’s one of his best films.
By Martin Scorsese
The Irishman arrived in theaters and on Netflix with a deluge of great reviews and even more controversy, as director Martin Scorsese found himself in the hot seat after delivering a critique on superhero films. Mixed press aside, nothing could stop The Irishman from becoming one of the best-reviewed films of the year, and now that it’s finally streaming on Netflix, those who didn’t get access to it in their local indie theater can finally stream it for themselves. The film follows truck driver Frank Sheeran starting in the 1950s, as he begins to work for Russell Bufalino and his crime family in Pennsylvania. Sheeran becomes one of their most reliable hitmen, and things get even more complicated when he goes to work for Jimmy Hoffa, the powerful, popular Teamster tied to organized crime. Scorsese teams up with Robert De Niro, his most frequent collaborator, along with Joe Pesci and Al Pacino.
By Noah Baumbach
By Oliver Stone
Oliver Stone’s critically-acclaimed 1986 anti-war film is one of the best of the genre, winning four Academy Awards following its release including Best Picture and Best Director. Chris Taylor (Charlie Sheen) leaves his university studies to enlist in combat duty in Vietnam in 1967. Once he’s on the ground in the middle of battle, his idealism fades. Infighting in his unit between Staff Sergeant Barnes (Tom Berenger), who believes nearby villagers are harboring Viet Cong soldiers, and Sergeant Elias (Willem Dafoe), who has a more sympathetic view of the locals, ends up pitting the soldiers against each other as well as against the enemy.
By Martin Scorsese
The fourth team-up between director Martin Scorsese and Leonardo DiCaprio, Shutter Island is an adaptation of the Dennis Lehane (Gone Baby Gone, Mystic River) novel of the same name. Set in 1954, the film follows U.S. Marshal Teddy Daniels (DiCaprio) and his new partner, Chuck Aule (Mark Ruffalo), as they travel to Ashecliffe Hospital on Shutter Island in the Boston harbor. Traveling to investigate the disappearance of patient Rachel Solando, a woman incriminated for drowning her three children, the two are confounded to discover she escaped seemingly from a locked room, with only a single clue left behind in her wake: a note reading “The law of 4; who is 67?” Trapped on the island during a storm, Teddy will begin to find the management team on the island is seemingly hiding something, leading him to push harder into the mysterious disappearance of Rachel, and to even confront his own dark reality.
Most people probably didn’t see Cloudy with a Chance of Meatballs becoming a critical darling, in addition to its massive box office success, but that’s exactly what happened when the film was released in 2009. Loosely based on the children’s book of the same name, Cloudy with a Chance of Meatballs follows Flint Lockwood (Bill Hader), a failed inventor who thinks he has the answer to the town’s crisis. He builds a machine that converts water into food, and becomes a local hero when tasty treats fall from the sky like rain. But when the machine spins out of control and threatens to bury the whole world under giant mounds of food, Flint finds he may have bitten off more than he can chew. The film was directed by Phil Lord and Christopher Miller, creators of the cult hit Clone High, who later went on to direct critically-acclaimed films like The Lego Movie and both 21 and 22 Jump Street.
By David Lowery
By Paul Verhoeven
From director Paul Verhoeven (RoboCop, Basic Instinct, Showgirls), Total Recall is one of those near-perfect science-fiction action films that simply doesn’t exist anymore. The film follows Douglas Quaid (Arnold Schwarzenegger), a bored construction worker in the year 2084 who dreams of visiting the colonized Mars. He visits “Rekall,” a company that plants false memories into people’s brains, in order to experience the thrill of Mars without having to travel there. But something goes wrong during the procedure; Quaid discovers that his entire life is actually a false memory and that the people who implanted it in his head now want him dead.
By Guillermo del Toro
Guillermo Del Toro has had a hell of a few years, finally winning an Oscar for his most recent drama, The Shape of Water. Prior to that, however, Del Toro received praise for Pan’s Labyrinth, a film that used the same Spanish fairy tale setting as The Shape of Water, while telling a much darker story. Set in Spain during the summer of 1944, the story is intertwined between the real world and a mythical world centered within an overgrown and abandoned labyrinth. Ofelia, the 11-year-old protagonist follows a faun into the forest to escape from her evil stepfather Captain Vidal, and from her increasingly-sick mother. Though the story is fairly simple (as are most fairy tales), the makeup and special effects are to die for.
By Terry Jones
The second Monty Python film is great on its own—as hilarious as Holy Grail, if a bit less surreal—but what truly makes the film interesting is the amount of controversy surrounding its 1979 release. A religious comedy may (mostly) fly under the radar these days, but forty years ago, Life of Brian was accused of being blasphemous, with thirty-nine local authorities in the United Kingdom either banning the film or imposing an X rating that prevented the film from being shown. Countries like Ireland and Norway banned the film entirely, and many of those bans lasted far past the 1980s. The film follows Brian, a young man born on the same night as Jesus, one stable down. Trying to impress a young rebel named Judith, Brian joins the independence movement against Rome, using teachings he heard from Jesus in an attempt to hide from the Romans. When a crowd mistakes him for the Messiah, he’ll find himself drawing far more attention than he wanted.
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